Mano del Desierto, a 36-foot-tall hand by Chilean sculptor Mario Irarrázabal (1992)
On Sunday, April 22, 2018 at 4:30 p.m. the Monthly Reading of Village Poets presents Andrew Robert Peterson, a poet of many hats and creative hands, as well as singer songwriter Art Stucco with percussionist John Palmer. The Village Poets Monthly Readings are held at Bolton Hall Museum, 10110 Commerce Avenue, Tujunga, CA 91042.
The readings include a featured poet (25-30 min. for one poet, or 20 min. each for two poets) and two open mike segments. Refreshments are served and $3 donations collected for the cost of the venue, the second historical landmark in the City of Los Angeles, that celebrated its centennial in 2013. The Museum is managed by the Little Landers Historical Society, named after the "little land" that each settler received in the Tujunga and Sunland foothills when the area was settled. The readings adhere to a self-imposed PG-13 rating, without extreme depictions of sex or violence, and with an air of gentility, so poets use their words to bless the world, rather than curse it.
ANDREW ROBERT PETERSON
Born in Calcutta, India in 1942, AR (Andrew) Peterson is a British Citizen. In 1996, he became a naturalized American Citizen. He lives in Sunland, California. Beginning in 1960, Andrew was a technician in various government and commercial laboratories in England.
He took MSc. and Ph.D. degrees in Medical Biochemistry at the University of Manchester, UK, and worked in Cancer Research at the Universities of Wisconsin and Southern California. In 1967 he was the co-author on a patent for the industrial production of gibberellin A7; this compound fools plants into producing fruit without being fertilized—so one gets seedless fruit. Peterson likes to think that he is partly responsible for the seedless grape. Imperial Chemical Industries, U.K., for whom he was working at the time, owned the patent.
From 1986-2003, Andrew taught Chemistry and other sciences, at LAUSD's Grant High School in Van Nuys, California. Andrew has also worked for the EPA, NIH, The American Cancer Society, and NASA, producing over forty publications in the technical literature. He is co-inventor on two British patents.
In developing and teaching a course on epistemology at the University of Wisconsin in 1974, Andrew acquired the ability to make complicated ideas accessible to non-specialists. He used that ability when he came to teach at USC and high school.
In September 2003, Andrew took early retirement to write a textbook on chemistry, employing the historical approach that he had been using in high school. He tried out the book when he was recruited in 2005 to teach 9th graders at LAUSD's CHAMPS Charter School. He retired from teaching in 2006.
On a more serious note: Andy is a published poet (sixty poems in two slim volumes), science fiction author (two books on Amazon), a phenomenal troubadour, and a noted wit, whose finely tuned sense of humor has elicited groans from generations of students, and patronizing grins from jealous friends. His published books can be accessed at: ARPETERSON.com. In 2017 he "completed" (it's actually up to the reader to complete) a non-fiction book entitled Your Way. In 2018, he will complete his third SF novel, Hubris.
SELECTED PUBLICATIONS
- 1970-1987: author/co-author of a number of papers (about 40?) and chapters on cancer research from the universities of Manchester (England), Wisconsin (Madison), and Southern California (Los Angeles), in technical journals including Cancer Research, Biochim. Biophys. Acta, Proceedings of The National Academy of Sciences (U.S.), and Nature.
- 1999-2005: author of a couple of papers in The Journal of Chemical Education while working for Los Angeles Unified School District.
- 2010: A science-fiction novel: The Symbiote, ISBN: 9781453795941
- 2011: Poetry: Deconstructing the Rock, ISBN 9781463605216
- 2012: Poetry: Perestroika Poems. ISBN 9781477542675
ART STUCCO AND JOHN PALMER
From very diverse musical backgrounds, Singer-Songwriter Art Stucco and Drummer-Percussionist John Palmer met as neighbors in 1988. Discovering several shared interests and influences, they began gigging and recording together. Stucco brings the Folk-Rock-Pop vibe with his songs while Palmer's Rock, Jazz and indigenous percussion influences set the tone and feel.
In the studio, Art plays guitar, bass, drums and keyboards and John plays harmonica. Art and John have recorded and recorded with Rockabilly pioneer and legend Ronnie Dawson and The Monkees' Peter Tork. He also performed and recorded with artists James Intveld and Melissa Lee, amongst others. John has toured the world with Dawson, Tork, Intveld and Three Bad Jacks. You can find Art Stucco music on SoundCloud and YouTube. Art Stucco CDs will be available at the show.
VILLAGE POETS NEWS
The Moon Tide Press publisher Eric Morago presented three poets from the anthology he edited recently, The Lullaby of Teeth on March 25, 2018. Pictured from L to R: Maja Trochimczyk, Eric Morago, Charles Harper Webb, Armine Iknadossian, Bill Cushing and Dorothy Skiles.
The day, March 25, 2018, also marked the first reading from the California Quarterly Vol. 44 no. 1 that Maja Trochimczyk guest edited, inviting some local poets to contribute.
Kathabela Wilson, Maja Trochimczyk, and Marlene Hitt with their copies of the California Quarterly. A sample of their poems published in the journal is below.
THE WISH OF
HEDERA
bird I’ve watched
all year
your move from
green to red
is slow
each day I note I
tell
and point
yet no one else
can see
ivy bird
hidden high by the
roof
of the old wall
your legs grow
pink
pink rises
from breast to
wing
the wind in
loosened tendrils flaps
a beak in silent song
elegant
calligraphy of
vine
poised as if
lifted wings
were song
aloft
yet tethered still
each trembling
leaf lifts as if to lead
the whole to sky
Kath Abela Wilson, Pasadena
Kath Abela Wilson, Pasadena
Photo by Maja Trochimczyk
PEACEFUL JOURNEY
Trees wall the river, tall and green
with leaves big as pie tins, and flowers
yellow flowers that float.
The sky dives so deep into the water
that down is brighter than up.
We paddle upstream against morning sun,
swerve to catch blossoms, save them
though they turn brown on the prow.
A current cradles us, passes us beside taro fields
and forest hideaways made of mangoes, papayas.
We rest our oars.
No conflict is here, no news, no story, no poem.
Only peace.
Marlene Hitt, Sunland, California
Photo by Maja Trochimczyk
ARBOR COSMICA
for my children
No fear, no hate, not even a mild dislike*—
we leave our heavy burdens, shards of memories
broken, all too broken, at the bottom of crystal stairs
beneath clouds of white camellias, petals swirling
through air like the snow of forgetfulness
Perfect symmetry of blossoms
points the way — up, up, always up
rainbow crystal stairs, revealed
one by one as we ascend — inwards,
outwards — dancing spirals of our DNA
We get to know this place — these depths,
these heights — for once, for all lifetimes
With each step, pure notes resonate
and expand into clear, spacious chords —
the music of the spheres rings out, wave by wave
expanding from our open hearts
Each chord — harmonious, different —
each melody in this vast symphony
sweetly twines around another, and another
until all are One Song, One Wisdom —
of stem and flower, of leaf and root
in this Cosmic Tree of humanity
Arbor Cosmica —
We have been here
all along without knowing
Maja Trochimczyk
* Cited St. Germain’s Decrees; with references to Crystal Stairs
Maja Trochimczyk was recently interviewed by Vitold Janczys and the interview published in Russian in Lithuania, this photo from her garden is from the interview. Here's the link for anyone who can read Russian. https://www.delfi.lt/multimedija/u-nas-i-amerikie/u-nas-v-amerike-ceny-tozhe-rastut-no-i-zarplaty-uvelichivayutsya.d?id=77319547