Monday, September 29, 2025

Katharine VanDewark & Joe Camhi Feature Sunday Oct 26 at Village Poets


Village Poets of Sunland/Tujunga will feature poets Katharine VanDewark & Joe Camhi on the 4th Sunday of October, the 26th, 4:30 pm at Bolton Hall Museum. There will also be an open mic and poets are invited to participate in the open reading segment of the event. The Bolton Hall Museum is located at 10110 Commerce Ave, Tujunga, CA 91040. Bolton Hall is a Los Angeles Historical Landmark built in 1913. Our reading starts at 4:30 pm and goes till 6:30 pm. Refreshments will be served. Free parking is available on the street and also at Elks Lodge 10137 Commerce Ave. Park behind the building and walk a short distance to Bolton Hall Museum across the street and down the block.

Katharine VanDewark’s  latest book of poems & original artwork is Dead Calm, Night Heron. She received a BA in painting from UCSB and has had intensive dance training as well as being a photographer. VanDewark’s poems have appeared in many journals including Lummox Number Nine; Last Call, Chinaski!; Amarillo Bay; Dos Passos Review; Wild Violet; Quiddity; Qwerty No. 32; Sanskrit; several Palos Verdes Library Anthologies; Coracle; Spectrum 26; and she is a regular contributor to Bay to Ocean Journal. In 2022 she was the winner of their Crossroads Micro Fiction & Poetry contest in the poetry category. Katharine lives in San Pedro and can often be found walking the cliffs watching for hawks, falcons and foxes.

Dust from Mongolia   

 

Apparently early spring winds sweep

dust from the Mongolian plains

all the way across China

to and beyond Beijing.

I know this because a friend said so.

 

Millions of people anticipate the

coming wind and chant,

as with the Indian monsoon,

“When the rains come.”

“When the dust comes.”

This has been happening for centuries.

Or at least for years.

 

How has the grass been uprooted

that soil is picked up easily and

blown for miles?

Are nomads to blame?

 

Was it the conquering hordes of

Genghis Khan and his horses

that trampled the carpets to dirt and

started the whole thing?

 

Did they pulverize the blades

playing polo across the steppes, using the

decapitated heads of prisoners as balls?

 

When the grass grew back and

dew collected on it,

was it red?

 

Was it the weight of yurt floors

that compacted it and

caused it to die of asphyxiation?

 

Published in Dead Calm, Night Heron and Lummox Number Nine              

 

Turning ¼ Million Miles

 

747s took a perpendicular bead

with the San Diego freeway southbound.

They shared longitude

with a 1/3 full moon.

On a planetary seesaw it

had the higher seat to the sun.

 

A hyperactive finger painting

of clouds close to the horizon

combined with pollutants

heated to 96 degrees

promised a sunset worth watching. 

I had been doing a mile

every 5 minutes

when the odometer numbers rolled.

 

In my neighborhood

those with balconies

sit on them

clink dinner plates and talk. 

Here a window outlined in pumpkin lights

there a witch on a chimney

with broom, nylons and hat.

 

In the blackberry bramble 3 miles away

the unreachables flaunt themselves

unaware that within days

they will no longer be desirable

will become wrinkled

like salt cured olives

sucked free of their dark juice.

  

Published in Dead Calm, Night Heron

 

Phantasmagoric

She lets her teeth show, the teeth

that weep blood on weekday mornings. 

The teeth she uses to pull up flowering sagebrush

clearing an entire hillside in the time

it takes black ink to turn green.

 

She lets her lip curl, wrap itself

around the sparkling legs of suntanned

bathers walking innocent

into the waves.

 

She lets her hair scream, a gathering

brace of funnel winds that sweep

the plains clean of wrought iron beds

tossed like hot air ping pong balls

in beer soaked poolrooms.

 

She hides her heart

in neighbors’ kitchen trash cans

the rubber belts of Detroit engines

the slide of a tongue over it.

 

She lets her eyes blister the night

through holds of cargo ships

bound for questionable places

their metal hides slowly eaten through

by liquid gasses.

 

©2025 Katharine VanDewark All Rights Reserved

 

 

Joe Camhi has published poetry and fiction in various magazines and Web sites including Exquisite Corpse, the Louisiana Review, Street News, the New Press, and Far Gone Magazine. His plays have been produced by College of the Canyons and in West Hollywood with the Urban Theatre Movement; Santa Clarita; Lafayette, Louisiana; and Portland, Oregon. In NY City, Joe was a featured reader at CBGBs, the Knitting Factory, and the Nuyorican Poets Café where he placed second in one of the semifinals of the poetry slam. Joe Camhi currently teaches English at College of the Canyons and Los Angeles Mission College.