Judith Terzi's poems have appeared in an array of literary journals including Caesura, Columbia Journal, Raintown Review, Spillway, and Unsplendid, as well as in anthologies such as Malala: Poems for Malala Yousafzai, Times They Were A-Changing: Women Remember the '60s & '70s, and Wide Awake: The Poets of Los Angeles and Beyond. Her poetry has been nominated for Best of the Web and Net, and included in Keynotes, a study guide for the artist-in-residence program for State Theater New Jersey. She taught French at Polytechnic School in Pasadena for over twenty years as well as English at California State University, Los Angeles, and in Algiers, Algeria. Casbah and If You Spot Your Brother Floating By are recent chapbooks from Kattywompus Press.
Visit her website at http://home.earthlink.net/~jbkt
I couldn't wait to take your name,
never took another's. Why
give up the vigor of a name? Vibration.
Never took my father's again,
or my mother's, her father a burden
no one desired. Possession
through a name was in the air then.
Never a hyphenation, but
a confine, an erasure to camouflage
the solo. Did I belong to you?
To a language learned, fragments of two
I never did? To the haik
I never wore, never daring to seek
pleasure from the silk cloth
caressing my legs, my arms, never
daring to fuse with Algerian
women, their rhythm, their melodic
flow across the whitewashed
city, Alger la Blanche. Did I belong to
the fragrance of orange blossom,
jasmine nights? Translucent noon.
Aquamarine. A name is not
a stone. You can clear a name, you can
name your poison. There was
none, only possession we rushed to own
back then, roles to fill. I still
belong to my father, bear his essence,
sense his incantations, his rituals.
Tunes play in my head when I hear
I didn't catch your name.
Rhymes with Jersey, not curtsy, I say.
Z as in zebra, its roots a wild,
forked geography from mine, mine
a found name my father chose
to disguise origin in another time.
So I ask if your name is still
me. Isn't it only a harmony of rosemary
and thyme, wind raling over
a wrought-iron balcony, shoulders curved
toward the slant of everywhere?
Roll call of earth heaped on both sides
of a fresh wound. Someone else
trickling grief, scattering nicknames
over you. I will never see
the in-betweens of the five letters
of your name. Caress of carnation,
rose. A star, as a name in lights. The last
letter an "I" belong to the story.
(from CASBAH, Kattywompus Press, 2017)
MONIQUE CHMIELEWSKI LEHMAN
Lehman weaves a portrait of her father comic-book creater Mr. Chmielewski
A native of Warsaw, Poland and a graduate of the Warsaw Academy of Fine Arts, Monique Lehman is an accomplished and original tapestry artist whose work may be found in museum collections around the world (the Vatican, Long Beach Museum of Art, Central Museum of Textiles in Lodz, Poland and the Space Museum in Cape Canaveral, FL), as well as in many American public buildings, city halls, churches, hospitals and synagogues. She deserves this Award because of the originality of her contribution to Polish and international art, and because she developed and promoted new tapestry techniques in an extensive and critically-acclaimed oeuvre, a vital part of the Polish school of fiber art. Her creative output continues the centuries of development of unique fiber art tradition, previously unknown in America and created exclusively by Polish artists.
Lehman in China with a poster based on her self-portrait tapestry
Working on a tapestry at home
Monique was invited to lecture about art and soon Polish tapestries became desirable objects for American collectors. Ms. Lehman, a member of Zwiazek Polskich Artystow Plastykow, shares her time between exhibiting, working on large commissions, and organizing art shows for artists from China in Poland and Polish artists in American and China museums. She is a real ambassador of Polish Fiber Art. Her knowledge of languages and cultures help her to promote Polish art in Asia and the Americas. This year she was invited as a special guest to World Textile Art in Uruguay and Biennale of Art in Karachi, Pakistan.
Fragment of award-winning Chopin Cape by Lehman
Monique’s accomplishment is bringing European visual criteria to America and China, as well as sharing Polish culture is a slow process. Over 35 years the artistic field of Fiber Art was shaped by her Polish values. Polish contemporary art is better known to the world thanks to this soft spoken, petite artist. Her monumental tapestries such as the parochet for Temple Beth El, La Jolla, CA, or the Portrait of St. Francis, typically take several years to complete. The large-scale works created on commission are just one side of her creative talent. She also developed an original style of abstract tapestries, that are three dimensional, may change shapes, and have a rich palette of colors and textures to express their themes. These tapestries have continued centuries of the Polish fiber art tradition, that has been completely unknown in America.
With large tapestry at Pasadena City College
Since 2010, she participated in 29 prominent international exhibitions on four continents (Asia, North and South America and Europe ), including Ottawa and Vancouver, Canada; Oaxaca, Mexico; Beijing and other cities in China; the Lodz Triennale, and many other exhibitions in Poland (Bytom, Czestochowa, Gdynia and so forth), as well as Long Beach, Palos Verdes, Ontario, and Pasadena, California. She was recently invited to show her fiber art as a solo artist in Montevideo, Uruguay, during the WTA Conference in October 2017, and will hold a Retrospective Exhibition in the Museum of Textiles in Beijing, China, in the following year.
Lehman with her Rain Forest tapestry
She promotes tapestry art by organizing international shows in Europe, China and the U.S. One of her internationally exhibited projects with contributions by 100 artists from 20 countries was the Memorial Tapestry commemorating the victims of 9/11. Monique’s goal was to promote polish art not only in the USA but internationally. The artist participated in many Contemporary International Fiber Art Exhibitions and served as a jury member since 2006. For her achievements in the field of fiber arts, Monique Lehman received an honorary degree of Professor from Zibo Vocational Institute, in the city of Zibo, Shandong Province, China. She included many Polish artists in the largest Fiber Art show in Asia,“From Lausanne to Beijing.” She is a judge of this show and invited eminent Polish professors to join her in selecting the work for display.
Her very unique passion is Wearable art. In February her artwork will be shown at the International show in Palos Verdes, Monique promotes this type of art which was first invented by Polish art students, who could not buy fashionable or original clothes in the 1970s.
Fragment of tapestry by Lehman