Tuesday, June 25, 2019

Village Poets Honor Marlene Hitt and Lloyd Hitt on July 28, 2019 at Bolton Hall Museum

Marlene and Lloyd Hitt, Grand Marshalls of the Independence Day Parade, 2017


Village Poets will have a very busy summer. First, we will appear in the Independence Day Parade on 4th of July 2019. Joe DeCenzo will be carrying the Village Poets banner. The Poets Convertible will include Poets Maja Trochimczyk and Susan Rogers, and friends, Elizabeth Kanski (President of the Polish American Film Society that organizes Polish Film Festival in Los Angeles) and Barbara Nowicki (volunteer for the Polish Film Festival and member of Helena Modjeska Art and Culture Club).  
2017 Parade: Joe DeCenzo, Maja Trochimczyk, Dorothy Skiles



Then, on July 28, 2019 at 4:30 pm at Village Poets Monthly Reading at Bolton Hall Museum (10110 Commerce Avenue, Tujunga, CA 91042) we will present the award to Dr. Lloyd Hitt and Marlene Hitt, who recently retired from their roles in the Village Poets, as co-founders of the group and organizers of monthly readings at Bolton Hall. There will be some time for open mike readers and refreshments will be served. We hope all poets that benefited from the Hitts' generosity will be able to come and thank them in person!



MARLENE HITT

Marlene Hitt is a Los Angeles poet, writer and retired educator with local history as an avocation. She has served for many years as Archivist, Museum Director and Historian at the Bolton Hall Museum in Tujunga. She is a native Californian and a graduate of Occidental College. She also studied at CSUN, USC, UCLA, Glendale College and Trinity College in Ireland. As a member of the Chupa Rosa Writers of Sunland for nearly 30 years, she has worked with this small group of poets from whom has sprung readings at the local library, the Poet Laureate Program of Sunland-Tujunga, and the currently popular Village Poets. Her poetry received several first place prizes in annual competitions of the Women’s Club, San Fernando Valley, and many awards from the John Steven McGroarty Chapter of the California Chaparral Poets.  

Ms. Hitt, elected Woman of Achievement for year 2001, served a Poet Laureate of Sunland-Tujunga in 1999-2001, at the turn of the century. She has published several books on local history, including Sunland-Tujunga From Village to City (Arcadia, 2000, 2005) based on columns written for the Foothill Leader, Glendale News Press, North Valley Reporter, Sentinel, and Voice of the Village newspapers since 1998. Over the years, she taught in elementary school, worked in a pharmacy, chaired committees, tap-danced, and played English handbells, autoharp and ukulele. She dedicates her successes to her husband, Lloyd, her children and grandchildren, her biggest fans.

Her work appeared in Psychopoetica (UK), Chupa Rosa Diaries of the Chupa Rosa Writers, Sunland (2001-2003), Glendale College’s Eclipse anthologies, two Moonrise Press anthologies, Chopin With Cherries (2010) and Meditations on Divine Names (2012),Sometimes in the Open, a collection of verse by California Poets Laureate, and The Coiled Serpent, anthology of Los Angeles poets, edited by Poet Laureate, Luis Rodriguez (2016). She published chapbooks Sad with Cinnamon, Mint Leaves, and Bent Grass (all in 2001), as well as Riddle in the Rain with Dorothy Skiles, a stack of poetry booklets for friends and family, and most recently a critically acclaimed poetry volume, Clocks and Water Drops (Moonrise Press, 2015). 

More information: 


Clocks and Water Drops
Poetry Collection by Marlene Hitt
Published in May 2015. 118 pages.  ISBN 978-0-9819693-5-0


This collection of poetry is the work of Marlene Hitt, the first Poet Laureate of Sunland-Tujunga, former Museum Director at the Bolton Hall Museum, organizer of readings, community events, editor and author. The book includes 73 poems divided into sections on: Children, Marriages, Portraits, Neighbors, Seasons, Small Things, Passages, and Farewells.  The title captures the poet's fascination with the flow of time, as relentless and powerful as drops of water that can shape rocks and move mountains. 

Clocks and Water Drops is a book of treasured gifts packed in memories and reflections as tasty as homemade bread, fanciful as a rose petal salad and healing as warm camphor oil on a child's skin. Marlene Hitts’ astute and thoughtful voice paints a world as gentle as lamb’s wool and precious as a girl’s first pony. Open this cedar chest of poems, don its knitted socks and prepare to chase the moon through love and time.  ~ Jack Cooper, Across My Silence.​






LOVE MENDED

That old threadbare word – love
flows in a fabric patterned
with shades of crimson colors,
whispers of mauve and the yellow of dry sun.
Chopin wove love into the air,
Monet stroked it onto canvas.

That word so often patched
nearly falls apart, its meaning frayed –
until a newborn cries 
or a daughter becomes a bride,
until the lace of fifty years together
fully knits. Love unravels
until a friend perceives and cherishes,
until there is an ear ready to listen, 
a shoulder to cry on. Love is repaired
with the consecration of all the threads.

Then, there is delight in love’s stitching,
the worn word renewed
into the One Love.
Mended.

Marlene Hitt, published in Clocks and Water Drops, 2015



LLOYD HITT


Dr. William Lloyd Hitt: A Californian, born in 1932, graduate of Verdugo Hills High School, 1949; graduate of University of Southern California School of Pharmacy with a Pharm D degree, President of the School of Pharmacy;U.S. Sargent and recipient of the Purple Heart (Korean War);Pharmacist and manager of Hobers Pharmacy, Sunland, CA 1959-1995. For nine years he served as President of the Little Landers Historical Society that manages the Bolton Hall Museum in Tujunga.



He is President Emeritus and charter member of the Tuna Camp Coalition formed to investigate, memorialize and make public the story of the Japanese relocation camp in Tujunga which was formed to incarcerate Japanese during the three years of World War II, 1941-1943. Nancy Oda, President of Tuna Canyon Detention Camp Coalition stated about Dr. Hitt: “He told us that his motivation to make a difference came when he faced death during the Korean War and promised to make a difference if he survived. Indeed, his life has been one of service to his community as a pharmacist and activist.”



Dr. Hitt received many awards and honors for his tireless and dedicated community service, including the titles of the Grand Marshall in Sunland Tujunga’s Independence Day Parades. He belonged to poetry groups Chupa Rosa Writers and was a key member of the Village Poets, helping to organize monthly Village Poets Readings at the Bolton Hall Museum. More information about Dr. Hitt may be found on the Tuna Canyon Detention Camp Coalition site.






Maja Trochimczyk with Lloyd and Marlene Hitt, after the parade, 2017


VILLAGE POETS NEWS

The reading by Melissa Studdard was outstanding - June 23, 2019.  Here are some photos from this event. 
























Monday, June 3, 2019

Melissa Studdard Featured by Village Poets at Bolton Hall Museum on June 23, 2019


The next Village Poets Reading at Bolton Hall Museum in Tujunga, CA (10110 Commerce Avenue, Tujunga, CA 91042 ) will take place on Sunday, June 23, 2019, at 4:30 pm. Our featured poet comes from afar and has incredible credentials, so we are thrilled to feature MELISSA STUDDARD. In addition to the featured poet, we also welcome open mike poets, and poetry lovers. Refreshments will be served. The George Harris  hat is passed around to collect $3 voluntary donations for the upkeep of the wonderful space. Bolton Hall Museum is Los Angeles Historical Landmark No. 2, built in 1913, and maintained by Little Landers Historical Society, a local group commemorating the settlers of the area, each of whom got a little land, hence Little Landers. 

ABOUT MELISSA STUDDARD

Melissa Studdard is the author of four books, including the poetry collection I Ate the Cosmos for Breakfast and the young adult novel Six Weeks to Yehidah. Her short writings have appeared in a wide variety of journals, magazines, blogs, and anthologies, such as The New York Times, Poetry, Psychology Today, The Guardian, New Ohio Review, Harvard Review, Bettering American Poetry, and Poets & Writers. 

A short film of the title poem from I Ate the Cosmos for Breakfast (by Dan Sickles of Moxie Pictures for Motionpoems) was an official selection for the Trinidad and Tobago Film Festival and the Minneapolis St. Paul International Film Festival, as well as winner of the REEL Poetry Festival Audience Choice Award. Other poems have been made into car magnets, telepoem booth recordings, and Houston City Banners.

She is spending much of the summer as poet-in-residence at The Hermitage Artist Retreat in Manasota Key.

Poem 1, Originally published in Cutthroat: A Journal of the Arts

Inside the beige brick house, the beige rooms


and beige-shirted people sit beautiful as unbuttered
biscuits, their awful loveliness upon me. They want me

drier than wheat and so still no marbles can roll

from my head. I want summer flashing the yard
red with begonias. I want Ladder-backed Woodpeckers

knocking at the gables, and Crepe Myrtle blossoms

blown down like hot pink cotton in a storm.
I’m embarrassing like that. A walking faux pas no one

wants to be seen with at the mall. I know love like

the arms of a cactus. I know the scent of earth revealing
her secrets after a much-needed rain. I buried

everything they told me to bury. Then, I dug it up again.



Poem 2, Originally published by Tinderbox Poetry Journal

My Kind

My life’s burning.
That’s what I mean when they ask how I am and I say
Fine.Rope-dangling, kicking-the-chair-out-from-under-me
fine; flirting-with-blades fine; looking-for-Pallas-Athena-
in-my-pancake fine (why would she visit that twerp Telemachus
and not me?) In my spare time, I’m building a death out of sad songs and leftover,
microwavable food. I’m building a life out of
sad songs, good friends, and leftover microwavable food.
It occurs to me that I may be my own soul mate. That’s how I’ve ended up
in this body alone. But science says self is not so simple.
I’m a mosaic of viruses, bacteria, and, likely, other people.
All of us making decisions together. Group hug!
I am my own kind. I’ll learn to play piano. Like Hélène Grimaud,
I’ll see blue rising from the notes. I’ll see children swinging in a park by the ocean.
The music will evoke everything. A meaningful life.
All of this inside a drop of dew. I’ll be an amateur bird watcher, a volunteer
firefighter, a gourmet chef, a great humanitarian. I’ll plant a prize-winning garden,
grow a pot farm. My hair is on fire. I’m running
out of time. Maybe I’ll learn to paint. Get
a cat or a dog. Something sweet
that likes to cuddle and craps outside the house. Something
feral and one step from wild. Something that, when the moon jumps in the lake,
will jump in after, howling, in love with the lake,
in love with the moon, in love with itself and every other
disappearing thing.
My kind.


PHOTOS FROM POETRY AND ART EVENT ON MAY 26, 2019

Photos by Kathabela Wilson and friends. 











Friday, May 3, 2019

Ekphrastic Poetry Inspired by the Art of Sandy Fisher - Workshop by Pamela Shea, May 26, 2019

Where the Road Bends by Sandy Fisher

Village Poets invite poets and poetry lovers to its next event, Ekphrastic Poetry Inspired by the Art of Sandy Fisher - Workshop by Pamela Shea. It will be held on Sunday, May 26, 2019 at 4:30 p.m. at Bolton Hall Museum, 10110 Commerce Avenue, Tujunga, CA 91042. The reading will include poems inspired by the art of Sandy Fisher, and a Feature by Pamela Shea, Sunland-Tujunga's Poet Laureate in 2018-2020.  Refreshments will be served and $3 donations collected for the cost of the venue, the second historical landmark in the City of Los Angeles, that celebrated its centennial in 2013.  The Museum is managed by the Little Landers Historical Society.




FEATURED ARTIST - SANDY FISHER ON MAY 26, 2019

Creative outlets have been a lifelong pursuit of mine and I turned to oil painting in 2005, and was blessed to win my first award.  Finally, I had found the direction and purpose of my creative drive. Now, I cannot imagine doing anything else as painting is life itself for me. The landscape of the West and California, particularly the unspoiled open spaces of the coast, desert, valleys and mountains are my favorite subject matter.  I am especially intrigued by the play of light and shadow and the mingling of warm and cool hues, which captivate my heart and provides the catalyst for me to put brush to canvas in an effort to convey to the viewer my emotional response to the scene.

When asked about what motivates me to paint something, my answer revolves around the desire to share the powerful awakening in my soul, which is fueled by the infinite beauty and mystery of nature. To me, there is confirmation of the divine in the complexity of nature; with all its variety and intricacies. I fully believe at the heart of creating memorable art is the ability to reveal to the viewer what wonder lies in the everyday world around us. 

Through my many travels, I am provided with a bounty of unique environments. I love to capture the fascinating scenes and overlooked details of our planet, even if it is in my own backyard. I am especially attracted by all the nuance of color and values in a scene,flower, or object. By utilizing dramatic natural lighting of the early morning or late afternoon combined with compositional elements involving line, color, texture, contrast and shape, my hope is the viewer will be drawn to take a more intimate look.

SELECTED AWARDS AND EXHIBITS:

2018 Art Classic, SCAA, Honorable Mention
2018 Art Matters (Huntington Library) San Marino League – Juried Artist
2017 Art Classic, Santa Clarita Artists’ Assoc. (SCAA) 2 nd Place and Merit in Oils
2015 Santa Paula Society of the Arts, 79 th Annual Show – Juried Artist
2015 & 2010 First Floor Gallery, City of Santa Clarita, Juried Artist
2014 Hope Murals, Lily Oncology, Winner – One of Ten Nationwide
2014 “Icons of California” and “Splendors from the Garden, La Galleria Gitana
2018, 2012 & 2009 Solo Art Exhibit, Canyon Theatre
2011 Art Classic, SCAA, Honorable Mention
2011 & 2010 Outwest, Newhall, CA – Featured Artist
2010 Festival of Art, City of Santa Clarita, Juried Artist
2009 Burbank Art Festival, West Coast Productions, Juried Artist
2009 Art Classic, SCAA, Honorable Mention
2007 Art Classic, SCAA, Gold Medal
2006 Art Classic, SCAA, Silver Medal
2005 Art Classic, SCAA, Honorable Mention


FEATURED POET - PAMELA SHEA


PAMELA SHEA, the ninth Poet Laureate of Sunland Tujunga, has lived in the area for nearly 40 years. She is a writer and poet who chronicles her life through verse. Pam was born and raised in the foothills community of La Crescenta and studied at the University of Redlands. Her professional life has included medical office work, from which she is retired, and teaching in the fitness field, in which she is currently active. She has a long history of community service, which she has combined with her writing. She finds inspiration in family and nature as well as in triumph and strife. She enjoys sharing her poems in hometown open poetry readings. Poetry has been her passion and therapy for as long as she can remember. Her poems appeared numerous times in the local Voice of the Village newspaper, as well as in the monthly newsletter for Salem Lutheran Church in Glendale and the fundraising literature for the Health Ministries of the Foothills. Other poems appeared online in Village Poets and Poetry Laurels blogs.

Ms. Shea was a featured reader at the Shouting Coyote Performing Festival in 2004 and led a workshop at that event on the Poetry of Nature. Since then, she participated in many readings with the Wide Open Readers, led by Elsa Frausto, and the Village Poets of Sunland-Tujunga at Bolton Hall Museum.  Pamela has hosted several open mic readings around town and has also written and read poems for special occasions at the Sunland-Tujunga Branch Library and McGroarty Arts Center.  She has also read at performances by The Windsong Players Chamber Ensemble and had one of her poems choreographed by California Contemporary Ballet in conjunction with the Windsong Players. She attended the 2018 Drawing Inspiration from the Parks program in Sequoia and Kings Canyon National Parks.  Her extensive record of community service includes many endeavors, such as volunteering for the Verdugo Hills Family YMCA's annual Campaign Support Fund Drive for several years. She was also a member of VHY's Senior Advisory Committee. She started a poetry group that met weekly at VHY as well as served as a board member for two terms (six years of service) for the Health Ministries of the Foothills. She has also been involved in the Relay for Life. Ms. Shea is the proud mother of three and grandmother of two. She has been married 43 years and has lived in the same house in Sunland for almost 40 years.

The next reading by Pamela Shea is at the ASKEW READING SERIES (Second Saturdays) May 11, 7:00-9:00 PM. Hosts Seven Dhar, Slim FitzGerald, & Ellie Askew. The Pasadena Highlands, 1575 E. Washington Blvd., Pasadena 91104, between Allen and Lake Ave. Featuring Vietnamese Nink Poise, Sunland-Tujunga Poet Laureate Pamela Shea, and Christopher Nyerges (christophernyerges.com) + OPEN MIC. Free.


ARTWORK BY SANDY FISHER

We are asking poets to write poems to eight paintings by Sandy Fisher, more information about her will be posted later, here are just the paintings to view and write about.



Awaiting Monet

Autumn Ablaze


Break of Day at Big Rock Creek


Golden Hour in Owens Valley

Where the Road Bends

Springdale Sunset on Johnson Mountain

 Quiet Harbor

Sweet Whisper


PHOTOS FROM READING BY MARY FITZPATRICK







Friday, April 5, 2019

Village Poets' Featured Poet for 28 April 2019 - Mary Fitzpatrick and Paintings for Ekphrastic Projects for May



MARY FITZPATRICK

Mary Fitzpatrick is a fourth-generation Angeleno who holds a BA from UC Santa Cruz and an MFA from UMass Amherst. Her poetry career is divided in two parts, separated by 17 years. In Part II, her poems have been featured in Atlanta Review and North American Review as contest finalists, have been finalists in the 2010 Beyond Baroque and Inkwell Poetry Contests, as well as for the Joy Harjo Poetry Prize and the Slapering Hol Chapbook Award. Her work has been featured in Mississippi Review, Atlanta Review and North American Review where she was a contest finalist. Her poetry has been published in journals, including Agenda (UK), The Dos Passos Review, ASKEW, The Georgetown Review, on-line by Writers at Work (L.A.), as well as in Hunger Mountain, Miramar, The Paterson Review, and in anthologies such as Wide Awake: Poets of Los Angeles & Beyond and Cancer Poetry Project 2. Her corporate career included translating electric-energy innovations into human prose; she works as a communications manager in a large corporation. In her non-profit career, she boosted the fortunes of a small Catholic elementary school.


Basho's Death

not turning, standing still
the snow turning his black hair white
suspended in a bronze gong’s
chime not turning
phrases in his mind but letting the notes alight
and write their own lines; seasons turn; standing
in his summer hut
all night grasshoppers churn their tune
Basho writes by the harvest moon’s
light; then
not standing still but turning
on highest mountain top he sees
the red carp sun straddle
east and west   turning to catch
its either light standing
in Fuji’s red snow while tiny boats
drift below; when the snows melt turning
his muddy feet to riverbanks / plum blossoms
turning in the warm breezes light
with spring, Basho not answering
the call to another cup of plum
wine Basho stands unsteady in a tiny boat,
turns it to moon’s broad reflection on the pond
leaning over to kiss it and he’s gone




published in Poet & Critic
Vol. XIII, No. 3   1982




Almost Fruit by Maja Trochimczyk

Sweet are the Uses of Adversity
            
             Sweet are the uses of adversity
            Which, like the toad, ugly and venomous,
            Wears yet a precious jewel in its head.
                                                -- William Shakespeare



Sweet are the uses of adversity — the office
culture I have grown around, the
strategic plan, draft document, political
message meant to motivate — a skill,
a skein of words I have grown
as an appendage, developed skin around.
Sweet are the uses of adversity — provide
Jesuit, Franciscan, community, university:
the education I had to my children.
Sweet are the uses of adversity — the mate
for twenty years, a skein
of months, laughter, jokes, sorrow, bitterness between us and I
have pits and fissures and blooms and growth
I’ve grown skin around to stay.
Sweet are the uses of adversity: the modern
whizz, car chase, crammed calendar, lack of peace, the pace
a price to pay for all we have — far from want, we will not starve.
Sweet are the uses of adversity as used
by the hopeful who alit
at Jamestown, Plymouth, any yard
where they planted food and buried
their young, their many dead. A certain determination
swelled; they stayed. And I
— another pair of hands, another hauler
of the great barge forward —
see the head of land, hear sloshing waves,
know my part of the coarse, warty flesh, intent
on that jewel glint.


published in Agenda
Vol. 41. Nos. 3-4 (double issue)
Winter 2005


Speed of Light, by Maja Trochimczyk

 

One Face May Hide Another
                                            
after Kenneth Koch
 
I wait at least a moment
and see what is already there
as at a crossing
when one brindle bulldog
may hide another
while evening cools the air
and though one can scarcely believe
in a creature so preposterous,
yet when the light changes
there is another that appears
when their leashes split
from a single hand, and if I wait
I’ll surely see the other holding
a cell phone, for no walker
is disengaged, as at a stoplight
when one looks left to see
what one expects, the next
driver with a cell phone, but sees
instead a brindle bulldog
on the driver’s lap, a second
bulldog in the back, the driver
searching for her cell phone. Now looking up
one scouts around to see
if the streets aren’t full of brindle bulldogs
but finds instead they’re full
of people dressed in slim black pants
who haunt the sidewalks, step
in and out of cars. Some
have cell phones, some
red hair. One recedes
in her red sandals, the undersides
wink at me with each step: red,
white sole, red – then one’s
a red dot on a parrot’s cheek
and another parrot shrieks
as they hurtle, gadflies, tree to tree
and I look at least a moment, see
red flowers in the flame trees
which then take flight as parrots’ cheeks
receding with each flap, dodging
people on the streets
dressed in slim black pants. And one
is your friend, one is mine, and one
holds a cell phone or two
leashes in one hand. And though
I thought I saw you once before
it was instead
someone who resembled you and paused
and stroked her chin just to consider
if I was her cousin or her cousin’s friend
or simply looked like her –-
then drove away
with brindle bulldogs.  





FEATURED ARTIST - SANDY FISHER ON MAY 26, 2019

We are asking poets to write poems to eight paintings by Sandy Fisher, more information about her will be posted later, here are just the paintings to view and write about. 

Awaiting Monet

Autumn Ablaze


Break of Day at Big Rock Creek


Golden Hour in Owens Valley

Where the Road Bends

Springdale Sunset on Johnson Mountain

 Quiet Harbor

Sweet Whisper

PHOTOS FROM THE READING BY PEGGY DOBREER 
AND MANDY KAHN ON MARCH 24, 2029

Mandy Kahn and Peggy Dobreer

Maja Trochimczyk, Mandy Kahn, Peggy Dobreer








Kathabela and Rick Wilson

Kathabela and Rick Wilson

Peggy Dobreer



Seated L to R: Marlene Hitt, Mira Mataric, Mandy Kahn, Peggy Dobreer, Kathabela Wilson
Standing L to R: Dorothy Skiles, NN, PAm Shea, Peter Larsen, Maja Trochimczyk, Lois P. Jones, NN, Seven Dhar, Rick Wilson