Showing posts with label Rick Lupert. Show all posts
Showing posts with label Rick Lupert. Show all posts

Friday, May 2, 2025

Village Poets Welcomes Carine Topal & Rick Lupert Sunday, May 25, 2025

 


Village Poets of Sunland/Tujunga welcomes featured poets Carine Topal and Rick Lupert on Sunday, May 25, 4:30 pm at Bolton Hall Museum. There will also be an open mic and poets are invited to participate in the open reading segment of the event. The Bolton Hall Museum is located at 10110 Commerce Ave, Tujunga, CA 91040. Bolton Hall is a Los Angeles Historical Landmark built in 1913. Our reading starts at 4:30 pm and goes till 6:30 pm. Refreshments will be served. Free parking is available on the street and also at Elks Lodge 10137 Commerce Ave. Park behind the building and walk a short distance to Bolton Hall Museum across the street and down the block.

                                           

Carine Topal, a native New Yorker, earned an MA from New York University. She has lived in Jerusalem, Israel, where she worked with Palestinian merchants. She was also employed by the Office of Assimilation, and worked with new immigrants, in particular, Moroccan Jews. After leaving Israel, Carine lived in Germany on the American army base in Heidelberg. Since 1982, she has anthologized the poetry of hundreds of special needs children. She participated in the grassroots organization California Poets in the Schools, was the Poet-in-Residence for the city of Manhattan Beach and Poet-in-Education for Manhattan Beach elementary schools. Carine has been honored with the Excellence in Arts Award from the Cultural Arts Commission of Torrance, California. Her work has appeared in numerous journals throughout the U.S. and Canada. She has published 6 collections of poetry, was awarded a residency at Hedgebrook, as well as a fellowship in St. Petersburg, Russia. In 2006, Carine conducted poetry workshops at the VA Hospital in Los Angeles. She is the recipient of numerous poetry awards, including the 2007 Robert G. Cohn Prose Poetry Award from California Arts and Letters, with a special edition chapbook, Bed of Want, published by Cal Arts and Letters, The Briar Cliff Poetry Award, The Red Wheelbarrow Poetry Award, and the Palettes and Quills Chapbook Prize. Her newest collection, Dear Blood, was published by the Ben Yehuda Press in February, 2025. Carine has taught poetry and memoir classes to both adults and children for over 30 years. She currently teaches in Los Angeles and the Southern California desert.

                                                       Three Poems by Carine Topal

 Chagall Psalm

For it was moonlight

in your town of old Jews

the quiet lunatic who

seeking paradise

drowned in the river

of his last winter

It was the tremors of childhood

through which you barely slept

a bed by a window looking

out to the near end of Yiddish

ash spewing from chimneys

the heat before the fire

It was Shemah for your mother who carried

the fever of a great loss

a child hastily named Miriam

her heart chambers closed in the bright

sleeves of snow

Moysey, think of the rows of amber-roofed

homes pitched toward the banks

of your frozen river

the viridian run

of the Luchesa

the fires before you ran

Published in Levure Littéraire

A Lamenting

When I came home to bury her she was already been bathed—draped in white. According to custom we must bury her within a day. It was January. Who would show in a cold that buried the city?  I paid others to mourn my mother. I hired wild old mourners to wail. I leaned on them; 13 thin figures in buttoned-down fleece coats, short black boots, keening like distant spirits, letting me let go of the last thing on earth. Women with a gift. Continuous lamenting, hand wringing, tribal cries. A few pulled at their hair. Some softly wept and some sobbed in throaty ululations, said the unsayable in full howl, feigned a grief dedicated to my dear, my mother.  I will remember her ushered out by the crying of strangers, widows who sobbed out of habit.

Published in Naugatuck River Review

My Father, Who Refused to Sit Shiva

We misunderstood our luck

growing up in that house —

third from the corner, where the forsythia

bloomed, as though to mock us, and my brothers hurried

down the street with a handful of bees in a jar,

for father who had a thousand demands,

who did not easily love, but was loved, who put the boys

in their place with a razor-tongue — afraid to let go of them,

yet keeping a distance — who lacked the know-how to father,

who struggled—feeling diminished in their world as they grew—

who held in his pocket the several sorrows of the world

when the boys grew older and first one, then the other died.

My father, who refused to hold shiva, though he sat fixed

for a week beneath the shrouded mirror. Friends

came anyway, pressing against us like broken stalks

under an impossible weight, some hugging casseroles,

others with bouquets, surrendering the bare-throated

flowers, a continuous loop of murmured comforts

feeding the machine of our grief. So many things

disappear in the world: lilacs. Even the bending light

leaves, though the windows linger.                                                                                

Unaccounted for, the long-numbered streets.

A river that once flanked our city.

And father, overwhelmed and immovable,

withdrew, watched as those who could leave, left

the wreckage of our home.

Published in International Literary Quarterly

                                                            

Rick Lupert has been involved with poetry in Los Angeles since 1990. He is the recipient of the 2017 Ted Slade Award, and the 2014 Beyond Baroque Literary Arts Center Distinguished Service Award, a 3 time Pushcart Prize Nominee, and a Best of the Net nominee. He served as a co-director of the Valley Contemporary Poets for 2 years, and created Poetry Super Highway http://poetrysuperhighway.com/. Rick hosted the weekly Cobalt Cafe reading for almost 21 years which has lived on as a weekly Zoom series since early 2020. His spoken word album "Rick Lupert Live and Dead" featured 25 studio and live tracks. He has authored 29 collections of poetry, including High Moose Alert, (May 2025)  as well as Its Spritz O’Clock Somewhere, I Am Not Writing a Book of Poems in Hawaii , The Tokyo-Van Nuys Express, and God Wrestler: A Poem for Every Torah Portion (Ain’t Got No Press.) He has also edited the anthologies A Poets Siddur, Ekphrastia Gone Wild, A Poet’s Haggadah and the noir anthology The Night Goes On All Night. He also writes and draws (with Brendan Constantine) the daily web comic “Cat and Banana.”  http://www.facebook.com/catandbanana and writes a Jewish poetry column for JewishJournal.com https://jewishjournal.com/author/rick-lupert/. All of his Jewish Poetry can be found here https://www.jewishpoetry.net/. He has been lucky enough to read his poetry all over the world.

 Three Poems by Rick Lupert

 Late One Night in Vancouver

It is late in the evening in Vancouver,

British Colombia, Canada.

 So far, no moose have been spotted

except the carvings in the tourist shops.

The first-world trauma of the airplane seats,

has been diffused by the architecture

of this place. Buildings seemingly

haphazardly put together with Jenga-like

impossibilities, adorned with nature

and ready to move in. We have eaten

some of everything, though if an emergency

arises, the Japanese hotdog place with

ample vegetarian options is next door

and open until three in the morning.

Our son, back in Simi Valley, has been

spotted wearing a baseball cap

which can only mean one thing.

We’re just not sure what that one thing is.

Did I mention we were on a boat?

They called it an Aquarius and it was

big enough for a handful of us.

We considered it a practice boat for

the immense one to come. We’re planning

on eating more of all the food tomorrow.

You can count on hearing all about it.

From the collection “High Moose Alert” (Ain’t Got No Press, May 2025)

Hey Jude

Whenever I ask the question

 do you know who’s singing this song

to my ten-year-old in the back seat

of the car, invariably he answers

The Beatles. And he is correct as I only

ask him this question when they come on.

He’s been dealing with this since

he was in the womb when his pregnant parents

(hi) saw the film Across the Universe

on the couch one evening and, in a fit

of revelation, knew exactly what we would

be calling this impending, permanent visitor.

Whenever someone meets him and learns his name

it’s impossible for them to not cry out Hey Jude!

It’s like a hiccup, involuntary, can’t be stopped.

He used to tell everyone he hated The Beatles

and then, at a certain point, it all clicked

and he started demanding their voices

on the car stereo. Who wouldn’t want

anthems sung to them while being chauffeured

to and from houses of fundamental learning,

religious institutions, and the occasional

pizza parlor? He knows who he is and the

expectations people have when they sing his name.

He knows what it means and how they used to

label people with his name on yellow stars

decades before men from Liverpool would

front thousands of people, their hands

hoisted in the air, na-na-ing like there

never was another song.

We put every weight on what we called him.

He crosses the universe, making our songs

better.

Lay Me Down Somewhere – A poem for Parsha Vayechi (Aliyah 7)

And Joseph bound the sons of Israel by an oath to bind their descendants by an oath, saying, God will surely remember you and your descendants, and when He does, you must have them take my bones up from here.” ~ Genesis 50:25

When I die I want them to take my bones

and bring them to where I came from.

I’m just not sure where that is.

It could be the promised land.

If I could find a paper trail that definitively

had my feet there, it could be there.

It could be in Syracuse where the first Cohens

toddled around the 19th Ward before the

neighborhood became a highway.

My mother was a Cohen and though

my father didn’t give me her name

I still claim a familial bond.

It could be Florida. I spent some time there.

Though probably not. Please don’t

lay me down permanently in Florida.

It could be New Jersey where

I first breathed the air, but they

probably won’t remember me.

It could be Paris, but I think

I’d have to die there to earn it.

I wouldn’t mind dying in Paris.

It could be in California where

the foundations of who I am were

forged by the holiest of people

like Joseph, who became who he was

in the narrowest of places, but still asked

they bring his bones home.

 Originally appeared at JewishJournal.com (January, 2025)


                                                                                     Photo by Lois P. Jones
 

 



 

 

 

 

 

 


 

 

 

 

 



Sunday, December 6, 2020

2021 Pushcart Prize Nominations from the "We Are Here: Village Poets Anthology"

                                      


We are pleased to inform you that the editors of "We Are Here: Village Poets Anthology" - Maja Trochimczyk and Marlene Hitt - nominated to the Pushcart Prize 2021 the following poems included in the anthology:  

  • Sharon Alexander, “Wheatfield with Crows” -p.8
  • Katerina Canyon, “Feet” -p. 171
  • Joe DeCenzo, “Conversing with Shadows” p. 181
  • Georgia Jones Davis, “Monumental Dog” – p. 63
  • Rick Lupert, “Heat” – p. 87
  • Mariano Zaro, “Synapse” – p. 157

Given the choice of 80 poets included in the anthology and the incredibly high artistic level of all their creations, the editor decided to follow their hearts and select poems that "resonated" with them in a personal way, and represented the diversity of poems and poets in the volume.  Congratulations to all! 

Marlene Hitt writes about her choices: "No one knows whether a poem is 'good.' The response of the reader is the important judgement. I chose Wheatfield With Crows because, at first, I was reminded, with emotion, of my own father's death. Upon reading I found enjoyment the dreamlike inward journey of the author. Sharon Alexander's language is more than pleasing and her images inspiring. Rick Lupert in Heat brings the reader into his world on a hot, hot day as he exaggerates a bit, then teases and pleases us as with a tall tale. Joe DeCenzo, with Conversing With the Shadows points toward the mystery of one woman' state of frailty in a memoir of her life as it has encapsulized in her failing memory as that memory then failed. It renders a kind and loving tribute to all life as it begins to end.  Poetry is for the poet, yes, but more for the reader and the connection of thought and emotion between the two. A poem speaks to each person with the beauty and passion which only words can do."

Maja Trochimczyk explains her selections: "I was really perplexed about the nominations from our anthology. I know it is a service to poets, and should be done, but in We Are Here there are so many amazing poems by incredibly talented poets that I was at a loss, wondering, what to do? In poetry, I am not interested in competitions and awards, but rather in expressing the infinity of human experience. When Marlene sent me her three titles, I realized I could simply pick poems that I love and that resonate with me at this particular time. I've always loved Georgia Jones Davis's Monumental Dog - the compassion for the hapless animal, sent by her trusted caretaker into the orbit, to certain death; the vivid portrait of a communist country, where life is not valued at all. I'm from Poland and I remember stories about this dog on our national news; though, back then, nobody eulogized her sacrifice. There was just praise for the technological triumph of Soviets over Americans in the space race... Katerina Canyon's Feet is another perennial favorite, perhaps because my Mom had not washed my feet like that, and neither did I wash hers. I guess it was through the longing of an abandoned child that found such intense beauty in filial love and devotion, captured so vividly by Canyon. Finally, Mariano Zaro's Synapse about the poignant last days of his father, expertly weaves personal emotion with scientific descriptions of the mystery of the brain at the end of life." 

Village Poets at the Passing of the Laurels Ceremony in 2017.

ABOUT THE ANTHOLOGY

Edited by Marlene Hitt and Maja Trochimczyk, and entitled We Are Here: Village Poetry Anthology, this collection celebrates the 10th anniversary of Village Poets Monthly Poetry Readings. The volume presents 80 poets featured during the monthly readings at Bolton Hall Museum in Tujunga, CA as well as the group of current and former Poets Laureate of Sunland-Tujunga who organize the readings. 
 
 In addition to its home base at the Bolton Hall Museum, the Village Poets have also had occasional visits to the McGroarty Arts Center, the former home of the California Poet-Laureate in 1933-1944, John Steven McGroarty. His Poet-Laureate title inspired the local Poet-Laureate program, established in 1999. The anthology's editors are both former Poets-Laureate of Sunland-Tujunga: Marlene Hitt was the First, in 1999-2001 and Dr. Maja Trochimczyk served as the Sixth in 2010-2012 when the readings were initiated.  

The volume includes work by: 15 Poets Laureate from California; 20 Pushcart Prize nominees – Accardi, Askew, Byrne, Canyon, Collins, Dobreer, Dove, Ford, Fancher, Luza,  Leland-St. John, O’Brien, Jones, Pero, Reyna, Rinne, Rogers, Rummel, Skiles, and Terzi; 12 current and former college professors – Campbell, Kirby, Dove, Lipkin, Lummis,  Peterson, Rummel, Rizk, Talwar, Trochimczyk, Saine, and Zaro; and eight poets with doctoral degrees – Dove, Lipkin, Mataric, Meyer (honorary), Peterson, Reyna, Saine, and Trochimczyk. Poets from the states of California, Illinois, New York, New Mexico, Texas, and Washington are represented along with those who have roots in 18 different countries: Argentina, Armenia, Chile, China, Cuba, Czech Republic, France, Germany, India, Italy, Japan, Mexico, Poland, Portugal, Serbia, the U.K., the U.S. and Vietnam.    

The colorful cover, designed by Maja Trochimczyk, features artwork by Polish American poet and painter, Andrew Kolo, who appeared at the readings to present both his art and his poetry. The painting, entitled “Landscape with the Palm Tree” (oil on canvas), is a mosaic of vivid, saturated colors, contrasting, yet somehow in harmony with each other. This is a great metaphor for a poetry reading filled with numerous, distinct poetic voices.  

The book consists of two parts: Guests and Featured Poets, represented by 1-3 poems each; and PoetsLaureate, with 10 local poets, represented by 6-8 poems each. A list of Village Poets Readings, a brief history of the program, and biographies of the poets are included as well. The 290-page anthology is published in two versions, as a paperback and an e-book in ePub format.  More information and list of poems: moonrisepress.com/village-poets-anthology.html 
 


ABOUT PUSHCART PRIZE XLV

Edited by Bill Henderson, with the Pushcart Prize Editors, "the 45th edition of the most celebrated literary series in America, Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses. The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.  The current issue includes 70 authors from more than 50 presses, selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses."


SHARON ALEXANDER - Nominated for "Wheatfield with Crows"

SHARON ALEXANDER recently relocated to Benissa Costa, Spain overlooking the Mediterranean Sea. Her chapbook, Instructions in My Absence, won first place in the Palettes & Quills 5th Biennial Chapbook Contest and was released May 2017. Voodoo Trombone, Sharon’s previous chapbook, was published by Finishing Line Press, 2014. Her poetry appears in several publications including Barbaric Yawp; Caliban On-line; Idyllwild Life Magazine; Naugatuck River Review; Pearl; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; Subprimal Poetry Art; and Tiger’s Eye. You can also find her work in the following anthologies: Beyond the Lyric Moment (Tebot Bach, 2014); In the News (The Poetry Box, Summer 2018); Poeming Pigeons (The Poetry Box, 2015); and Spectrum: 140 SoCal Poets ( 2015). 



KATERINA CANYON -  Nominated for "Feet"

KATERINA CANYON is a 2020 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival called “Shouting Coyote Poetry Festival” and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. Her recent books include Changing the Lines, a volume of poetry, and Los Angeles Nomad, a novel.  She hosts weekly readings on Zoom, called Canyon Poets. You can find more information about her on her website, poetickat.com. 


JOE DECENZO -  Nominated for "Conversing with Shadows"

JOE DECENZO grew up in Los Angeles and majored in theater and English Literature.  From 2004-06 he served as the poet laureate of Sunland-Tujunga. He produced  the  “Shouting   Coyote” Performing   Arts Festival and was a Department of Cultural Affairs grant recipient. His published works include The Ballad of Alley and Hawk and the Study Guide and Poetry Primer for the same collection. His poetry appeared also in Meditations on Divine Names anthology (Moonrise Press, 2012). He currently serves on the planning committee for the Village Poets of Sunland-Tujunga, as Chair of the Poet Laureate Search Committee, and as Chair of the Arts and Recreation Committee of the Sunland-Tujunga Neighborhood Council.


GEORGIA JONES DAVIS - Nominated for "Monumental Dog"

GEORGIA JONES-DAVIS grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia’s poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London. She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series. She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), by Finishing Line Press. 


RICK LUPERT - Nominated for "Heat"

RICK LUPERT has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets. He created the Poetry Super Highway ( http://poetrysuperhighway.com ) and hosted the Cobalt Cafe reading for almost 21 years. He’s authored 25 collections of poetry, including “God Wrestler” and “ The Tokyo-Van Nuys Express!”, and edited  “A Poet’s Siddur”, “A Poet’ s Haggadah”, the Noir anthology “ The Night Goes on All Night.” and “Ekphrastia Gone Wild” under his imprint Ain’t Got No Press. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Zuzu’s Petals, Caffeine Magazine, Blue Satellite and others. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books: Sinzibuckwud!, We Put Things In Our Mouths, Paris: It’s The Cheese, I Am My Own Orange County, Mowing Fargo, I’m a Jew. Are You?, Feeding Holy Cats, Stolen Mummies, I’d Like to Bake Your Goods, A Man With No Teeth Serves Us Breakfast (Ain’t Got No Press), Lizard King of the Laundromat, Brendan Constantine is My Kind of Town (Inevitable Press) and Up Liberty’s Skirt (Cassowary Press). . He is regularly featured at venues throughout Southern California and works as a music teacher and graphic designer for anyone who would like to help pay his mortgage.


MARIANO ZARO - Nominated for "Synapse"

MARIANO ZARO is the author of six books of poetry, most recently Decoding Sparrows (What Books Press, Los Angeles, CA) and Padre Tierra (Olifante, Zaragoza, Spain). His poems have been published in anthologies and literary journals in USA, Mexico and Spain. His translations into Spanish include Poemas de las Misiones de California by Philomene Long, Buda en llamas by Tony Barnstone and Cómo escribir una canción de amor by Sholeh Wolpé. He is the winner of the 2004 Roanoke Review Short Fiction Prize and the 2018 Martha’s Vineyard Institute of Creative Writing Short Fiction Prize. Since 2010, he has been hosting a series of video-interviews with prominent American poets as part of the literary project Poetry.LA. (More information here: www.Poetry.LA). He is a professor of Spanish at Rio Hondo Community College (Whittier, California).  Website: www.marianozaro.com.