Showing posts with label spiritual poetry. Show all posts
Showing posts with label spiritual poetry. Show all posts

Thursday, June 2, 2022

Poets in the Garden - Charlene Mason Gallego and Maja Trochimczyk's "Bright Skies" - June 26, 2022 at 4:30pm on Zoom

 

Iris in Descanso Gardens, Photo by Maja Trochimczyk
Video from this reading on YouTube: https://youtu.be/ysDdSGMDUZE
Maja Trochimczyk reads poems from "Bright Skies" 

Village Poets of Sunland Tujunga are pleased to present two poets writing from their non-toxic gardens, full of wildlife and healthy plants.   Charlene Mason Gallego will present her artwork and poetry, and Maja Trochimczyk will read poems and show photos from her newest collection, "Bright Skies."  The reading will be on Sunday, June 26, 2022 at 4:30 pm on Zoom. Send request for link to maja@moonrisepress.com.  

Charlene Mason Gallego

Charlene Mason Gallego writes: "I consider myself a California girl, having lived all over this beautiful state.  I spent time in the Monterey Peninsula where I took up photography and art making.  After a brief stint as a flight attendant, I recommitted myself to the creative life, and attended California College of the Arts in San Francisco.  I graduated with a BFA in Drawing and Painting.  While in art school I took several creative writing classes which exposed me to new authors and poets. I have been an avid journal writer my whole life and have a deep love of words as a way  to process my experiences.  While I have been a writer to an audience of one,  recently I have been compelled to share it with the world, or at least my intimate circles.  I write to find myself, to explore the unknowables, to follow my fascination points, to connect with wonder and beauty.  And most of all to fully embody this life. In addition to writing, drawing, painting, and photography, I am a wildlife gardener.  I create space for the wild beings, with native plants, and nesting sites, and water sources.  My wild garden is a place of solace and renewal, magic and connection.  My creative process is about the personal as universal, and exploring the beauty of our interconnectivity and diversity."  

On June 25, 2022 from 3pm to 8pm she is hosting an open house at her studio and garden, at 11525 Mt. Gleason Avenue, Tujunga CA91042.



BEAUTY CONSULTANT

My body is designed for beautiful things.
Like the sunrise happening as I write this.
It is ever shifting, ever changing,
and never the same.
It is me as a witness, at this moment,
With these eyes and these body feels.
That is the miracle, turning my mountain
a dusty kind of pink.
The kind of pink you find in an old woman’s
house, upon her worn velvet sofa.
The kind of pink worn on that same
woman’s lips, that discontinued shade
of Estee Lauder lipstick.
It is her at this moment, a blending of early
morning rays, through moisture laden clouds,
landing on the browns and tans of
those easterly slopes,
that forgotten shade has been reinvented,
reignited for my pleasure again.
And it triggers a feeling of nostalgia,
Back when the action was at the department
stores, in the malls, at the food courts.
Us, Lauder, Clinique, and Lancome girls,
playing with our beauty, only slightly
understanding it’s power and becoming
aware of it’s dangers.
Us, with our soft, full painted lips,
Laughing together and admiring each other’s
feminine allure.
Us, applying a new shade of pink
to replace the old one for that woman
seated in our chair awaiting her makeover,
Her transformation.
Applying a bandaid to all the
disappointments of life,
that have sagged the smile and
frowned the eyes.
We were baby alchemists.
It was the era of artificial excess,
Tortured tresses, contoured cheeks
And sexy eyebrows.
What kind of magic pill were we selling?
Youth in a bottle That perfect shade of
lipstick?
It would be years later that the
underpinnings of this artificial environment
would begin to crack.
My eyes would see through the
crumbling remains, that my
talents were not meant for selling
a manmade idea of beauty,
But for reveling in the source
of beauty herself.
And there is no selling beauty, not ever...
Beauty simply exists.
Beauty is that dusty shade of pink
upon my mountain,
That shade of pink that grins forth
from that old woman’s lips. 




RETURNING HOME

We are coming into the days of long shadows.
The sunrise is noticeably changed as it now rises
to the south of Camelback Peak.
The browns of the brush have a well cooked aura.
The large Red Harvester Ants are busy gathering their stores.
The granite collects the heat to release it out into the
evening. Our home does the same.
Whenever I come back from a long trip, I notice a staleness to
the air as I open the front door.
This time I left the house to husband and daughter,
And I know without asking that they did not throw open the
windows as I do.
To let in the fresh morning whispers.
My home missed me as much as I missed her.
This early morning air has it’s own unique flavor,
that does not show itself at any other moment.
It would be a pity to miss these shy hours,
for they hold the key to the day’s unfolding.
I have cultivated a practice of participation that allows
a blessed insight into the becoming,
That will be this sunrise,
This high noon,
This sunset.
This turning as I plant my feel into Mother and witness
the miracle of
a day,
a night,
a season,
a life.





ISBN 978-1-945938-49-8, color paperback
ISBN 978-1-945938-52-8, eBook in ePub format
US Trade (6 x 9 in / 152 x 229 mm), 184 Pages
85 poems, 162 color photographs, 6 portraits

Maja Trochimczyk dedicated this collection of poems, “Bright Skies,” to her children and grand-children, asking them to read and enjoy her verse “when they grow up.” The volume features 85 poems written in 2009-2022 and organized into five sections – Spring, Summer, Babie Lato, Autumn and Winter. The seasons of poetry include reflections on nature, beauty, love, life, and spirituality. The focus is on positive emotions, learning to be calm and content, full of compassion and wisdom. It is a life-long quest, and these poems are an invitation. 

The poems are illustrated with 160 photographs taken in the poet’s neighborhood – Big Tujunga Wash, Angeles National Forest, Descanso Gardens, and Oxnard Beach. The surprising “Coda” brings a set of recipes for old-fashioned Polish dishes mentioned in poems. Bringing together favorite memories of her Polish childhood – making and flying kites, plays with soap bubbles – and the delights of sunny Southern California gardens, parks, and beaches, the book includes lessons how to seek and find the daily dose of domestic bliss. This book is a legacy from a well-lived life, and a companion to "Into Light: Poems and Incantations" - another collection of positive, inspirational poetry illustrated with photos.


Maja Trochimczyk with grandson Adam, Facebook Profile Picture by Maria Kubal

Maja Trochimczyk, PhD, is a Polish American poet, music historian, photographer, and non-profit director. She is the author/editor of eight books on music and Polish culture, five poetry volumes and four anthologies, including most recently We Are Here: Village Poets Anthology co-edited with Marlene Hitt to celebrate the 10th anniversary of Village Poets readings (2020). A former Poet Laureate of Sunland Tujunga in 2010-2012, since 2019 she has served as the President of the California State Poetry Society, and, since 2018, as the President of the Helena Modjeska Art and Culture Club, promoting Polish culture in California. 

Her poetry books include Rose Always, Miriam’s Iris, Slicing the Bread, Into Light, and The Rainy Bread. Hundreds of Trochimczyk’s poems appeared in English, Polish, as well as in German, French, Chinese, Spanish and Serbian translations in such journals as: The Loch Raven Review, Epiphany Magazine, Lily Review, Ekphrasis Journal, Quill and Parchment, Magnapoets, SGVGPQ, Pirene's Fountain, Cosmopolitan Review, The Scream Online, The Original Van Gogh’s Ear Anthology, Clockwise Cat, Lummox Journal, Phantom Seed, Colorado Boulevard, Spectrum, Poezja Dzisiaj, OccuPoetry, as well as many anthologies. She is the host of Village Poets Monthly Readings, Managing Editor of the California Quarterly and Editor of the CSPS Poetry Letter, promoting poetry worldwide. 

Interview by VoyageLA website, 15 October 2021,  http://voyagela.com/interview/inspiring-conversations-with-maja-trochimczyk-of-moonrise-press/

Interview by Shoutout LA website, March 1, 2021: https://shoutoutla.com/meet-maja-trochimczyk-poet-photographer-and-music-historian/




Matka Boska Zielna


~ for Mother of God of the Herbs (August 15)

 
Look at the greening hill slopes charred by last year’s wildfire—

that’s magic. Look at the mountain sunflower that grew

at the edge of the asphalt on Oro Vista road, it already blooms

out of nowhere—that’s magic, too. The postcard-size garden

by the old, wooden house, a shack, really—fills with flowers

every spring. Fruit appears on orange trees after bees collect pollen.

 

The scent of sweetness, the cheerful noise of bee wings—

is it not far more miraculous, a thousand, a million times

more delightful than the 100 floors of steel-metal-glass

of skyscrapers proudly pointing at the sky? Incomparable

with a patch of weeds, nature’s miracles of renewal.

 

How proud we are of our empty metallic constructions

that will rust in the jungle, abandoned, like stone pyramids

of the Mayas, shrouded by vibrant green of leaves and

branches. Thousands of years of human fame obliterated

by the steady, living, fertile abundance, the overflowing

force of life, of matter, our Mother.

 

Roots, shoots and tendrils spread out, germinate,

flow through the soil in search of water, nutrients,

life, more life, ever growing, ever richer, dancing,

singing the abundance of being—the song of creation

we are— we are —we are—we are all —

we are one—one—one—


(C) 2022 by Maja Trochimczyk, first published in Quill  & Parchment, May 2022





Arbor Cosmica

                             ~ for my children

 

No fear, no hate, not even a mild dislike*—

we leave our heavy burdens, shards of memories

broken, all too broken, at the bottom of crystal stairs

beneath clouds of white camellias, petals swirling

through air like the snow of forgetfulness

 

Perfect symmetry of blossoms

points the way—up, up, always up

rainbow crystal stairs, revealed

one by one as we ascend—inwards,

outwards—dancing spirals of our DNA

 

We get to know this place—these depths,

these heights—for once, for all lifetimes

 

With each step, pure notes resonate

and expand into clear, spacious chords—

the music of the spheres rings out, wave by wave

expanding from our open hearts

 

Each chord—harmonious, different—

each melody in this vast symphony

sweetly twines around another, and another

until all are One Song, One Wisdom—

of stem and flower, of leaf and root

in this Cosmic Tree of humanity

 

Arbor Cosmica—

 

We have been here

all along without knowing




First published in the California Quarterly 46:4, 2020.




More information about this book: 


Monday, September 4, 2017

Magic and Destiny with Cece Peri and Ambika Talwar on September 24, 2017


     Maja Trochimczyk, Susan Rogers, Elena Secota, Cece Peri, and Ambika Talwar at the Rapp Saloon in 2015

On September 24, 2017 at the Bolton Hall Museum in Tujunga, Village Poets will present two distinguished poets, Cece Peri and Ambika Talwar.  The reading will start at 4:30 p.m. on the Sunday afternoon, at  10110 Commerce Ave, Tujunga, CA 91042, and will include two segments of open mike and refreshments.



CECE PERI


Cece Peri’s poems have appeared in a number of poetry journals and anthologies, including Malpais ReviewLuvina: The LA IssueSpeechless the MagazineAskewNoirConCapital & MainLiterary Alchemy, Beyond the Lyric Moment (Tebot Bach), Master Class: The Poetry Mystique (Duende Books), and Wide Awake: Poets of Los Angeles and Beyond (Pacific Coast Poetry Series).  She received the first Anne Silver Poetry Award and awards from NoirCon and Arroyo Arts Collective’s “Poetry in the Windows.” A New Yorker, she has lived in the Los Angeles area since 2003. Visit her website at https://ceceperi.com

Trouble Down the Road

At the flat top grill, he was all business,
flung raw eggs dead center into the corned beef
hash like a strapping southpaw.

In the alley, with me, he was all ideas.
Said he’d be leaving soon, had a shot back east—
a tryout for the big leagues. 

Said his sister would loan him a Buick convertible,
and he'd fill it with malt beer and tuna. 
All he needed was a woman to hold

his cat while he drove.    
I like animals, I told him.  Then I dropped
my cigarette into the dusty clay,

ground it out, slow,
felt the road under my foot.


by Cece Peri


AMBIKA TALWAR


Creative Vision for Changing Times
Author * Healer * Artist * Teacher

Ambika Talwar is an India-born author, wellness consultant, artist, and educator whose vision is to realize her sacred destiny and invite others to find their brilliance.  Insights gleaned through life challenges have prompted her to make her poetry a call to action. Composed in the ecstatic tradition, her poetry is a “bridge to other worlds.” She has authored Creative Resonance: Poetry—Elegant Play, Elegant Change and also 4 Stars & 25 Roses (poems for her father).  She is published in Kyoto Journal, Inkwater Ink - vol. 3; Chopin with Cherries; On Divine Names; VIA-Vision in Action; in Poets on Site collections; St. Julian Press; Tower Journal, Tebot Bach, and others; has interviewed with KPFK; has recorded poems for the Pacific Asia Museum in Pasadena, California

She won the Best Original Story award for her film “Androgyne” in Belgium; she produced and directed it. She asserts it is time for creative visionaries to offer narratives that change our worldview, and the big film studios must play a part in this transformation.

As an intuitive-spiritual healer, she practices IE:Intuition-Energetics™, a fusion of modalities, sacred geometry, and creativity principles. This full spectrum healing is aimed at clearing diverse obstructions and bringing clients to ease and wholeness. “Both poetry and holistic practices work beautifully together, for language is intricately coded in us,” she notes. Her super-charged, intuitive and subtle healing practices achieve rapid results for clients ready for change.  Loving this work, she says in these fascinating times, we must resolve our shadow and trauma, so we can call in our best possible self. 

An English professor, she lives in Los Angeles, CA and New Delhi, India. For book readings, healing workshops, and individual or group healing consultations, please contact her at:


Sites:

Radio interviews:
The Human Frequency: https://www.youtube.com/watch?v=mn8w5Tg2yVQ 






My Greece: Mirrors & Metamorphoses
Discover Each Journey as Sacred Destiny

"At the beginning of this surprising memoir filled with heart, humor, wonderment, and sensuality, Grandmother Melpomene (beauteous, mercurial, 97, and Greek) reads Ambika Talwar’s morning coffee grounds and pronounces, “You have a long journey ahead of you.  A very long journey.”   You will not merely read about this journey.  You will be swept away as Ambika’s fortunate companion on an odyssey through what she calls the “cosmic weave” between clashing cultures and shared experiences. … “
~ Amélie Frank (Renowned Poet, publisher, Beyond Baroque board member — Los Angeles, California)

"Some journeys are both external and internal. Such is the case with Ambika Talwar’s sensually-told tale. Her travels in Greece expose us to a keenly perceptive woman’s understanding of creativity, the arts, and life and death. Initially setting out to join a screenwriting workshop, Talwar finds herself becoming part of a community. …. As the author writes, “Making art is a journey. Taking a journey is an art.” With this beautiful and sensitive book, she has made art from her journey as well."
~ Donna Baier Stein, (Author/Publisher Tiferet — Kansas City, Missouri)

"Ambika Talwar leads us on a journey of profound wonder, of mythos and pathos, traveling through the byways of modern and ancient Greece, encountering out-of-this-world human beings who step out of mystery into light, laughter, sorrow, and high play. She weaves a tapestry centered on the feminine quest for wisdom and meaning with poetry conjured from a cauldron of energy, imagery and high magic. Her work enchants at every level."
~ Peggy Rubin, (CEO of Sacred Theater, Seminar leader, Change Agent — Ashland, Oregon)

"My Greece is a gentle journey into the heart and soul of what it means to be human.  Ambika Talwar beautifully describes the intimate details of her travels in Greece .… she skillfully weaves in reflections of modern and ancient life from the perspective of an artist searching for meaning.  Her depth of awareness and unassuming wisdom allow for a gradual opening of the heart as she introduces questions that, if embraced, can deepen our experience of being human."
~ Philip M. Hellmich, (Director of Peace – The Shift Network. Author of God and Conflict — Berkeley, California) 
———
From my Preface
“I wish in finding hidden parts of ourselves wherever we visit that we awaken in us a humanity that has been crumbling for so very long. And through such transformations, may we create our cultures not just as artifact but with recognizing and realizing that beauty is a path to peace.”  
~  Ambika Talwar
———
Amazon Author Page:
https://www.amazon.com/Ambika-Talwar/e/B015IFMV1W
https://www.amazon.com/My-Greece-Mirrors-Metamorphoses-Discover/dp/1937207234/



Interview with Ambika Talwar  
(Inner Child Magazine)


Inner Child Magazine (ICM): What was the inspiration behind your book, My Greece: Mirrors & Metamorphoses?

Ambika Talwar: I had been thinking of a story I wanted to write set some place with lots of butterflies. I had an outline ready.  And out of the blue, someone sent me info on a screenwriting workshop with a group traveling to Greece … I had made a film in 2000 titled Androgyne. Somehow it all seemed to be connected.  So I jumped on it. And Greece, this ancient land of myth and shadows, tugged. Who would want to turn away an opportunity to visit this old land! 
               Someone suggested I would love being in Paros to write this new story … but I never made it there.  Yes, the Island of Rhodes is known for its butterflies – have not been there either.
               We are raised on stories of how we came to be and what becomes to and of us as we journey.  I was curious to visit a place whose mythology I had read while growing up in India, also ancient.  And I kind of missed such elements here in Los Angeles.  So things move too quickly here… I missed a sense of layered tones.
               So as I traveled with my big PD 150 Sony camera and a notebook, I recorded my experiences. These included meetings with people, traveling between ruins, cafes, old and new parts of old cities.  And I was both enchanted and deeply sadly disturbed. It made me realize how much we have lost over time and with rapid industrialization and how fragmented we are in so many ways … well, as if neuroses were always the fuel.  Should it not be beauty, grace, and the play of wisdom…?
               Does this make sense? I wanted to record and share the narrative of my experiences, which gave rise to other narratives and poems. These I feel … reflect to me the richness of each moment alively tuning us in.
               And on another level, I just wanted to tell this story of my time there.


ICM: Why is this book important to your audience?

Ambika Talwar: Let me reframe this.  What I wish people to get out of this book, which has taken me so long to complete, is simply an understanding that every single moment of our lives is a journey and a destiny and a purpose. That a story, a name, a metaphor can reveal ways for us to find simplicity in our lives. 
               I wish people find their story in these moments that are poetic narratives of longing, of isolation, of union … of desires and create ways to find this… And, I warn you, in moments the stories run very fast. This is a caution to me as well. We need to let go of so much, to be whole.


ICM: What might I glean from the book?

Ambika Talwar: I’d say this is best left to the individual reader. What is your particular, unique essence that responds to my story and poems?  This is where you would find yourself.


ICM: What do “Mirrors and Metamorphoses” have to do with Greece?

Ambika Talwar: Well, one can’t travel somewhere and not see the rich fare offered … foods, but sensibility, mythological framework, syncretistic connections … something gained, something lost.  It’s as if our layered skins take on whole new identities and just when we start to know ourselves, something else rushes in to claim us – leading to distortions, sorrow, loss, chaos, and then must follow a renewing of faith in ourselves. 
               So in this context… I had titled my book My Greece: Mirrors, Metaphors, and Metamorphoses, but found “metaphors” redundant. “Mirrors” said it all for me.  So really, the stories reflect how we are mirrored and how we are changed by one another.
               Meetings with people and places offered motifs to remind me of things forgotten or of the mysterious. Everywhere I went, people would welcome me saying, “You are Indian. We are cousins.” And indeed we are cousins. We are all related.  So we share mirrored realities, be it in story, art, mythology, music … and our deep human longing.
               What is our sacred destiny? What do we wish now to mirror? How shall we transform together? Isn’t it this – to discover all our moments as sacred?


ICM: How can I use this book to apply it to my life? Is there a strategy? Is it a fun read or is it a transformational book?

Ambika Talwar: No, it is not a how-to book, but it invites you to travel with me, experience my stories, ask questions about who we are, and wonder where we are going.  We may be transformed by various influences; this is your call. 
               Perhaps, aspects of my story might inspire you to be more yourself… whatever that is.  I would wish that my readers and, maybe you, are inspired to see yourself as part of all that is … our inherent unities. This, I feel, ought to be the foundation of our human culture from now on. And if this is an offering of “feminine magic,” as one of my reviewers said, so be it. I like it. It surely is time for us all to reach out to each other so we may stand in wholeness. 
               Yes and re-discover our human heart and its capacity. It’s tough to break out of conditioning.


ICM: Is it a story or narrative in which I will get lost?

Ambika Talwar: It is a narrative with smaller narratives enlivening the tale. You can either get lost in it or find yourself… and this, too, is a journey.  You choose.


ICM: So there was a gap in your writing of it. What compelled you to finish it?

Ambika Talwar: I could not rest with myself, had I discarded it.  My initial very rough draft sat for a bit. For many reasons I could not get to it. Traveling, teaching, recovering from injury caused delays. I had to get it done. And in 2014 I picked it up again. So here we are. 
               I have to say, I am quite a romantic at heart. This book has been a bit of a strange love affair. Meetings with filmmaker Theo Angelopoulos was surely exciting; experiencing the underworld through being robbed left me vulnerable but I handled it quite well; not visiting the rock in Tinos shattered me; dancing at the Plaka was sweet swimming in the Mediterranean was pure joy; listening to the Roma boys sing was enchanting. And, learning to say “Yes” which sounded like a “No” and created confusion… all this was play.  All these moments mattered. I did not want to forget them. We are all related.
               Also, before I traveled to Greece, I had met many Greeks here in LA. I took some classes in Sirtaki, ate Greek food, went to a few parties… it is again synchronistic that this opportunity showed up when it did.  I was being prepared for the journey.

               I am grateful that we are enriched not by the samification of our cultures but by each particular uniqueness.  



Monday, October 31, 2016

Thanks for Haiku - Deborah P Kolodji and Naia Feature on November 27, 2016

This has been a year to be thankful for, with so many amazing poets and musicians having graced the Bolton Hall Museum: Seven Dhar and Teresa Mei ChucEddy M. Gana Jr. and Stephanie Sajor Georgia Jones-DavisLois P. Jones and Alice Pero, Marsha de La O and Jerry GarciaJudy BarratBill Cushing with Chuck Corbisiero, plus Mariko Kitakubo, Elline Lipkin, Altadena Poet Laureate, and Songwriters Heather Donavon and Steve McCormickDouglas Kearney and Mandy Kahn, and in October, Shahe Mankerian with Songwriters-Musicians Shandy and Eva.

We will be able to add to our blessings  on Sunday, November 27, 2016 at 4:30 p.m. (after Thanksgiving), and enjoy the haiku and other Japanese-style poetry of Deborah P Kolodji and Naia.  As usual, the reading will take place at the Bolton Hall Museum in Tujunga (10110 Commerce Ave. Tujunga, CA 91042), with segments of open mike, refreshments, and $3 donations collected in George Harris's Hat (Harris was the builder of the Bolton Hall, now a Los Angeles Historic Monument No. 2, having celebrated its centennial in 2013). 


DEBORAH P KOLODJI

Photo by Naia

Deborah P Kolodji is the California Regional Coordinator for the Haiku Society of America, the moderator of the Southern California Haiku Study Group, which meets on the 3rd Saturday of every month at the Lamanda Park Library in Pasadena, and is on the board of directors for Haiku North America.  

Her first full-length book of haiku, highway of sleeping towns, was published recently by Shabda Press. (http://www.shabdapress.com/deborah-p-kolodji.html).   With over 900 published poems to her name, and four chapbooks of poetry, Seaside Moon (2005), Red Planet Dust (2006), unfinished book (2006), and Symphony of the Universe (2006), Kolodji finds inspiration in beaches, mountains, deserts, and urban life of Los Angeles County.

"Deborah P Kolodji’s haiku collection is a gem. Born of an art that transcends science, her haiku transport the reader into the past and future, while being firmly rooted in the present. Highway of Sleeping Towns underlines the truth that the the best haiku are contemporary and ageless, personal and universal."      - Roberta Beary, author of the Unworn Necklace and editor at Modern Haiku




white marble
I am small at the feet
of Lincoln


floating purple--
my daydreams follow
the water hyacinth


highway
of sleeping towns
the milky way


settling the estate
empty gum wrappers
in her purse


the scarf
she never finished
brown pine needles


morning tidepools
a hermit crab tries on
the bottle cap


winter sea
the rise and fall
and fall


a caterpillar's progress
across the fallen leaf
jet lag


moon flower
a love letter
to Captain Kirk


LA traffic
our lady of the perpetually
late


our history
written in rock
desert lavender



NAIA


In 1998, Naia discovered haiku through the works of Kobayashi Issa. She joined a small study group in Long Beach and has been writing haiku and other forms ever since. Shortly after she began submitting for publication, Naia’s haiku were published in two prestigious anthologies in Japan: 1) Masaoka Shiki Festival Anthology, Ehime Prefecture Culture Foundation, Japan, 2001, and 2) 55thBasho Festival Haiku Anthology, Basho Memorial Museum, Japan, 2001 (one of only 17 poets accepted from the United States)

Naia’s haiku, haiga, haibun, tanka, and other poetic forms have been published in numerous books, anthologies, collections, e-journals, newsletters, and magazines in the U.S and internationally.Additional haiku-related activities include:


  •          co-editor, bits of itself, 2002 Haiku Society of America members’ anthology
  •          member, founding planning team for the first Haiku Pacific Rim Conference, 2002
  •          editor, above the tree line, 2008 Southern California Haiku Study Group anthology
  •          editor, shell gathering, 2009 Southern California Haiku Study Group anthology
  •          judge, HPNC annual Haiku Contest, 2009
  •          regional coordinator, Haiku Society of America 2009-2014
  •          co-founder & moderator, Haiku San Diego, 2010 to present
  •          reader, 23rdannual Two Autumns Reading, 2012
  •          reader, Tea House Reading, Yuki Teikei Haiku Society Annual Reading, 2012
  •          co-chair, Intervals, Haiku North America 2013 Conference
  •          editor, what the wind can’t touch, 2016 Southern California Haiku Study Group anthology
A video of her work may be found on Vimeo:  ants on the sidewalk, a multimedia urban celebration by Naia, Deborah P Kolodji, and Gregory Longenecker:  https://vimeo.com/60378349  Presented at Haiku Pacific Rim 2012, published in Haiku Chronicles in 2013.

  
Poems

songbird
even the crow in the next tree
listens


new love . . .
still some green
in these autumn leaves


in those moments
when all is still and he’s sure
I’m asleep . . .
the way his lips linger
upon my bare shoulder


Ghosts Among the Cornflowers

From this place at the edge of a cornflower patch so wide that it seems as if a great wave poured from the afternoon sky and liquefied the land . . . from this place, I begin to wonder. Who planted them? Who knelt here, tended here, bent and yielded here, dreamed here? Who planted these cornflowers gone to seed, to weed, again and again, until this knee-deep sea of them?

windswept cloud . . .
    in blue ink the apology
        owed since childhood



PHOTOS FROM THE READING


Thanks for Haiku... of Deborah P Kolodji and Naia!


November group photo with Deborah P Kolodji, Naia, Mariko Kitakubo and Village Poets. 


and many thanks to all the Poets that were featured at our readings, and to all who attended and participated in the Open Mike this year.  We greatly appreciate your contributions to our genteel and reflective readings.

VILLAGE POETS IN OCTOBER 



Village Poets after the reading by Shake Manerian, with Shandy and Eva Duo, October 23, 2016.
Standing L to R: Maja Trochimczyk, Pauli Dutton, Richard Dutton, Pam Shea, Sharon Hawley, Judy Barrat,Joe DeCenzo, Marlene Hitt, Dorothy Skiles and Yatindra Bhatnagar. Seating L to R: Mira Mataric, Elsa Frausto, Shahe Mankerian, Shandy and Eva. 

Eva, Shahe, and Shandy at Bolton Hall Museum.

The second event was the annual Lit Crawl LA 2016, held in North Hollywood on October 26, 2016, with four Village Poets reading their spiritually-inspired works in the "Into Light: Poetry of the Spirit" reading with Joe DeCenzo, Maja Trochimczyk, Marlene Hitt, and Elsa Frausto. Some of the poems came from the 2012 anthology, issued by Moonrise Press, Meditations on Divine Names. 



Some of these poems may be found on the Moonrise Press Blog, as well as on the Poetry Laurels blog by Maja Trochimczyk.