Monday, March 14, 2022

Pamela Shea Passes the Laurels to ST 10th Poet Laureate Alice Pero on April 9, 2022



SUNLAND-TUJUNGA INDUCTS NEW POET LAUREATE, ALICE PERO

       What: "Passing of the Laurels" Ceremony for Alice Pero 

       When: Saturday, April 9, 2022 1:00 – 4:00 pm

       Where: Dayton Sculpture Garden,  10755 Art Street, Sunland 91040

Post by Maja Trochimczyk including material from two articles by Joe DeCenzo

On April 9, 2022, writer, teacher and musician Alice Pero will be inducted as Sunland-Tujunga’s new Poet Laureate.  The ceremony known as the “Passing of the Laurels” honors a writer of distinguished class and distinct voice who has displayed love and admiration for their local area.  The “laurels” refer to the honorary wreath awarded to ancient Greek poets and heroes for their achievements. The "Passing" will be conducted by 9th Poet Laureate Pamela Shea (2017-2020).  

The Sunland-Tujunga Poet Laureate program was established in 1999 to honor the legacy of John Steven McGroarty who served as California State poet laureate form 1933-44.  He was a poet, playwright and author who, for 40 years penned a column for the Los Angeles Times titled "Seen From The Green Verdugo Hills."  His former home at 7570 McGroarty Terrace in Tujunga was donated to the City of Los Angeles and now serves as the local Arts Center.  It is managed by the Department of Cultural Affairs and has been closed to the public since March of 2020 due to the pandemic and remains closed pending the lifting of all COVID-19 restrictions.

Ms. Pero was actually elected to her new post in 2020, but her official induction has been postponed on several occasions as a result of county health mandates.  While the McGroarty Arts Center, the customary host of the “Passing of the Laurels” ceremony, is unavailable, the former home of late artist and sculptor Wendell Dayton will open its gates to the public for this prestigious event.  It’s a recognizable and lovely location surrounded by an outdoor sculptor garden in the Shadow Hills section of Sunland.  

ABOUT ALICE PERO

As a poet, Ms. Pero began giving public readings of her work in 1984.  She has performed her work in dozens of venues in New York State, Austin and Los Angeles.  For more than 15 years Alice Pero has called Sunland-Tujunga home.  “I have absorbed the spirit of the desert wash, the plants, animals and birds and they have all become part of my poetry.”  When further asked what she finds unique about the foothill surroundings, Ms. Pero said “Unlike the crowed rush of the cities I have lived in, there is space and a connection to living things here.”  Not all are familiar with the title of Poet Laureate or what they do for a community.  Ms. Pero explains, “A poet feels the pulse of the city, the people and all of nature.  The program elevates the cultural level of the people it serves and honors the poet who has the traditional role of lifting hearts and soothing souls.”

Ms. Pero’s poetry has been published in numerous magazines and anthologies including National Poetry Review, California Quarterly, We Are Here, Coiled Serpent and Altadena Poetry Review.  Her first book of poetry Thawed Stars was praised by renowned poet Kenneth Koch as having “clarity and surprises.”  She is the founder of the Windsong Players Chamber Ensemble and the ongoing poetry reading series “Moonday” which, since 2002, has featured published poets on both East and West sides of Los Angeles including a nine-year run at the Flintridge Bookstore in La CaƱada.  


As a member of California Poets in the Schools, she is committed to the creative development of children.  “For years I worked in inner city schools as a volunteer tutor and poetry workshop leader with mostly Hispanic children in South Central L.A. as well as the underserved areas of Brooklyn and Staten Island, NY,” says Ms. Pero.  When speaking of her mission as new Sunland-Tujunga Poet Laureate she confidently states “Awakening the creative spirit in children of all races and ethnicities is paramount as these children are our future.”

Despite being held in the “on-deck circle,” Ms. Pero who is not one to languish continues to promote poetry and literacy through Zoom meetings, continued publications and the founding of a Poet-In-Residence program at Fair Oaks Academy.  She is eager to begin her term of service as Sunland-Tujunga Poet Laureate as restrictions for gatherings are lifted.  “It’ll be wonderful to once again have live readings and workshops in libraries and schools,” exclaims Ms. Pero.  “Sunland-Tujunga is unique having nurtured a poet laureate program for 20 years.  What other municipality can boast of this?”


Since 2020 Ms. Pero has served on the board of the California State Poetry Society as Chair of Monthly Poetry Contests.  In addition to Thawed Stars, she published a poetic dialogue with Elsa Frausto dedicated to Sunland Park. Her newest book, Beyond Birds and Answers, written as a dialogue with New York artist Vera Campion, has been featured in two reviews in the Poetry Letter no. 4, 2021, by Toti O'Brien and Neal Leadbeater. 

https://www.californiastatepoetrysociety.com/2022/01/poetry-letter-no-4-2021-reviews-of.html


You can find out more about Alice Pero's views on poetry, music, and creativity in the interview published on the Shoutout LA website:  https://shoutoutla.com/meet-alice-pero-flutist-poet-poetry-teacher/

Wendell Dayton walking through his sculpture garden.

ABOUT THE SITE

The Wendell Dayton Sculpture Garden is a private cultural site in development honoring the work and memory of American sculptor Wendell Dayton (1938-2019) and located in Sunland on Art Street. Dayton was a local artist who created sculpture for six decades and gained critical acclaim at the age of 80, when his rich oeuvre was celebrated by major galleries, institutions (including LACMA), and the arts media.  The site is managed by the Wendell Dayton Foundation and plans for exhibition and performance spaces are in progress.   https://wendelldayton.org/about

One of the sculptures, orange and oak trees seen from Art Street.

PAMELA SHEA, POET LAUREATE REFLECTS ON HER TERM OF SERVICE

Article by Joe DeCenzo


 Writer Pamela Shea is nearing the end of her term of service as Poet Laureate of Sunland-Tujunga.  For her last official act, she will provide a public reading of some of her cherished work on April 9, 2022, where she will place the laurel wreath on the head of newly elected laureate Alice Pero.  

Ms. Shea was raised in the foothills community of La Crescenta and studied at the University of Redlands.  She later moved to Sunland and proudly raised three children while drawing inspiration from nature that surrounds the area.  The triumph and strife of relationships and family were the fuel that “ignited her pen” while she developed her writing en route to her election as 9th poet laureate of Sunland-Tujunga in 2017.

Village Poets with Pamela Shea at her "Passing of the Laurels" ceremony in 2017. Elsa Frausto, Dorothy Skiles, Marlene Hitt, Joe DeCenzo, Pamela Shea and Dr. Maja Trochimczyk

As Poet Laureate, she was committed to “taking poetry to the people” at many venues in and around the foothills community.  In 2017, she honored the firefighters, volunteers and staff of the McGroarty Arts Center whose grounds and structures were threatened by the “La Tuna” fire that consumed 7,194 acres of the Verdugo Mountains.  Being featured by the Windsong Players Chamber Ensemble was one of her fondest and most exciting memories.  They accompanied her with dulcet music while the California Contemporary Ballet performed a captivating dance.  

During her term, she helped coordinate and participated in the Gathering of California’s Poets Laureate in 2018 hosted by then California State poet laureate Dana Gioia.  The event held at the McGroarty Arts Center assembled 63 current and former poets laureate from dozens of regions around the state. Near to her heart, in 2019, she was among the presenters at the Sunland-Tujunga library when they celebrated the life of Lieutenant Colonel Robert Friend of the Tuskegee Airmen on his 99th birthday. During her term, she published poetry in California Quarterly, Altadena Review, Spectrum and other poetry journals and sites.  Her biography and several poems are also included in We Are Here: Village Poets Anthology edited by Dr. Maja Trochimczyk and Marlene Hitt to celebrate the 10th anniversary of Village Poets Monthly Readings. 

The title of poet laureate dates to ancient Greece when a laurel was used to form a crown of honor for poets and heroes.  The mantle is bestowed on a writer who exhibits excellence in their craft with a body of work that brings insights and perspective to the human experience as well as emphasizing a love for the local area they represent.  Serving as 9th Poet Laureate of Sunland-Tujunga “was a dream come true for me,” says Ms. Shea.  “It gave me confidence to expand my poetic style and submit my work for publication.”  Community service is inherent in the post.  The poet laureate is often asked to speak at public events or provide a dedication during auspicious moments. 

“I was proud to represent Sunland-Tujunga before the Los Angeles City Council and thrilled to write poems for the McGroarty Arts Center, Bolton Hall Museum and Verdugo Hills YMCA.”  Her most emotional memory came in January of 2020 when she stood before the 150 year old oak tree at Sunland-Tujunga branch library and eulogized it on the eve of its removal.  Steeped in the history of generations who enjoyed the beauty and shade of its sprawling bower, her poem spoke of its life and hope for the three small Coast Live Oaks that were planted in its place.

View of Sunland-Tujunga from the Big Tujunga Wash, 
photo by Maja Trochimczyk


PHOTOS FROM PASSING OF THE LAURELS

The photos below were mostly taken by exceptionally talented Irene Kalents, some snapshots are from Facebook posts by Thelma Reyna and Maja Trochimczyk, taken by Izabella Zuralski and others.























































































































     




Tuesday, March 1, 2022

Village Poets Present Featured Poet Hedy Habra, March 27, 2022 at 4:30pm

YouTube Video from the Reading: https://youtu.be/esVpolXomyE

Village Poets of Sunland-Tujunga are pleased to present an amazing poet and artist from Michigan, Hedy Habra, to celebrate Women's Month of March 2022. The reading will take place online via Zoom, with links sent by Dorothy Skiles (DMHSkiles@gmail.com - request your link).  Join us on Sunday, March 27, 2022 at 4:30 pm.

The Village Poets Monthly Readings include two segments of open mic for poets, typically reading two poems each, plus 30 minutes from one featured poet or 20 minutes each from two poets. 

Hedy Habra is a poet, artist and essayist. She has taught Spanish at Western Michigan University and is currently studying Mandarin. She has authored three poetry collections, more recently, The Taste of the Earth (Press 53 2019), Winner of the Silver Nautilus Book Award, Honorable Mention for the Eric Hoffer Book Award, and Finalist for the Best Book Award. Tea in Heliopolis won the Best Book Award and her ekphrastic collection, Under Brushstrokes, was finalist for the Best Book Award and the International Book Award. Her story collection, Flying Carpets, won the Arab American Book Award’s Honorable Mention and was finalist for the Eric Hoffer Award. Her book of criticism, Mundos alternos y artĆ­sticos en Vargas Llosa, examines the visual aspects of the Peruvian Nobel Prize Winner narrative. A seventeen-time nominee for the Pushcart Prize and Best of the net, and recipient of the Nazim Hikmet Award, her multilingual work appears in numerous journals and anthologies. She has just completed a poetry manuscript "Or Did You Ever See the Other Side?" inspired by women artists.  https://www.hedyhabra.com/


Habra has painted the artworks for her book covers.

Information on her Books available at https://www.hedyhabra.com/books/

Book Reviews available at https://www.hedyhabra.com/reviews/

https://www.press53.com/poetry-collections/the-taste-of-the-earth-by-hedy-habra

https://www.press53.com/poetry-collections/under-brushstrokes-by-hedy-habra

https://www.press53.com/poetry-collections/tea-in-heliopolis-by-hedy-habra



Cover Art by Hedy Habra.   Cover Design by Paul Sizer.



The Taste of the Earth


Two fawns cross the creek. One of them pauses, linked

to his mirror reflection by the tip of his tongue, parallel 

worlds merge on the fault line of a folded image. 

 

A musical phrase sticks to your skin, the wind espouses 

ripples, liquid dunes lick the shoreline, give moisture to 

wild brush, blown over seeds and thoughts. 

 

Iridescent hummingbirds hover over purple iris blooms. 

The shore is faithful to the stream’s first touch. Like first 

love, it nourishes tendrils rising into a green flame, 

 

never forgotten like the taste of the earth. A desert thirsts 

for an oasis, a fawn melts into the music of a fable, 

a gazelle, new memories map rhizomes twisting, 

 

anchoring us farther with each shoot spreading from our 

birthplace to everywhere we’ve lived, to where we live 

now, and does it make a difference if the root remembers? 

  

First published by Sukoon Literary Journal

From The Taste of the Earth (Press 53 2019)




Cover Art by Hedy Habra.   Cover Design by Paul Sizer.

 

The Apple of Granada 

Some say Eve handed a pomegranate to Adam, and it makes sense to me. How can the flesh of an apple compare to the bejeweled juicy garnets, the color of passion, hidden under its elastic pink skin tight as an undersized glove, a fruit withholding the power to doom and exile since the dawn of time. For a few irresistible seeds, didn’t Persephone lose sight of the sun for months? I mean, think of the mystery hidden in its slippery gems, of the sweetness of the tongue sealing the union with the beloved in the Song of Songs. And I succumb, despite how messy it is to crack the fruits open, invade that hive, oblivious to the indelible droplets splattering the sink, reaching beyond the marble counter all over my arms and face, as my fingertips delicately remove its inner membranes, until the bowl is filled with shiny ruby red arils. I add a few drops of rose and orange blossom water, the way my mother did and my grandmother used to do and her mother before her. 

   

First published by Cumberland River Review

From Under Brushstrokes (Press 53 2015)



Cover Art by Hedy Habra.  Cover Design by Paul Sizer.


Bricolage



Go every day a little deeper

into the woods, collect acorns,

twigs, thorns, fallen leaves,

pine needles, a fern's curl,

a bird's nest, a lost feather,

spring air, hot, humid air, a raindrop,

a touch of  blue, a ripple,

and why not the hush

of your steps over moss,

the trembling of leaves

at dusk against black bark?

 

Put it all in a bag and shake it:

you will retrace your steps

within the clearing, hear frightened

flights, watch the rain darken the deck,

flatten oak leaves, answer the root’s mute prayer.

 

First published by GraFemas: Letras Femeninas

From Tea in Heliopolis (Press 53 2013)


Photo from installation by Chiharu-Shiota, The Locked Room

This is the link to the artwork by Shihuri Shiota , the installation https://www.hipeggy.com/interviews/chiharu-shiota and it appears also in this other link:     https://www.pinterest.com/pin/532409987184781979/


Or How Do You Keep Track of All the Keys You Once Owned?


                 After Chiharu-Shiota's The Locked Room


keys to unlock one's buried memories

keys to the family cottage you had to sell

keys that once opened different-sized locks

keys that had to be changed after an effraction

keys that yearn for the doors they used to open

keys thrown into a deep well, still oozing blood

keys to the palaces King Farouk owned in Egypt

keys to learning how to deal with oneself and others

keys to the meaning of feelings that you kept losing

keys to the safes holding papers that ruled your lives

keys kept in a jewelry box that must have mattered once

keys, lost, forgotten or treasured as a possible come back

keys to the wrought-iron patio gate half-covered with jasmine

keys that opened the car door that led you straight to the beach

keys to dream's horned and ivory gates that keep getting mixed up

keys meant to reach the heart of a man before he'd change the locks

keys you hold in your palm and run your fingers over and over again

keys to an old friend's house who once relied upon you to water her plants

keys passed on from generation to generation to reclaim the ancestral home

keys that you had to return to the hotel where you wished you'd spend a lifetime

keys to all the cars you've ever owned and led you through long-forgotten crossroads

keys to the office you left carrying a cardboard box filled with what seemed important

keys to the wooden-carved secretary your mother handed down to you that held no secret to her

keys to the homes you kept leaving, from country to country, from one neighborhood to the next


First published by MockingHeart Review

MockingHeart Review nominated this poem for a Pushcart Prize last year.  https://mockingheartreview.com/2021/10/22/pushcart-prize-nominations-4/  

This is the link to the MockingHeart Review where the poem was first published https://mockingheartreview.com/archives/volume-6-issue-1/poetry/hedy-habra/



Maitreya, antique sculpture, Norton Simon Museum, Pasadena
Photo by Maja Trochimczyk 




Friday, February 11, 2022

Dean Blehert Features for Village Poets on February 27, 2022 at 4:30 pm on Zoom

Pam Coulter, "Rock Creek in Winter"

VIDEO FROM THE READING ON YOUTUBE: 

Village Poets of Sunland Tujunga present poet Dean Blehert, of Virginia, on Zoom - Sunday, February 27, 2022, at 4:30 pm.  Link can be requested from Dorothy Skiles at DMHSkiles@gmail.com.  Open mic is available before and after the feature that lasts for 30 min. The reading is recorded and video posted online afterwards. 


Dean Blehert has had seven poetry books published, most recently Kill the Children and Other Disconnections (Argonne House Press, 2001) and Please, Lord, Make Me a Famous Poet or at Least Less Fat, a 400-page mock textbook full of parody and satire on the poetry scene, past and current. He also published his own subscription poetry letter, Deanotations (Dean's poems with his wife's drawings) which came out every two months from August, 1984 to July, 2004. Deanotations has often been praised for its quirky viewpoints and slightly offbeat humor. Deanotations boasted readers in most of the 50 states and in Canada, England, Germany, Israel and Australia, and had more than 300 paid subscribers for much of its life. He's had poems published or accepted for publication in New York Quarterly, Kansas Quarterly Review, Crosscurrents, Bogg, Visions, Lip Service, Gold Dust, Dark Horse, Modern Haiku, Carousel, Light, The Lyric, Krax, Orphic Lute, Brussel Sprouts, Stroker, Implosion, Haiku Headlines, Reston Review, Carousel, View From The Loft, The Listening Eye, Gyst, Plains Poetry Journal, Minimus, Potomac Review and many others. Issue 55 of New York Quarterly ran his article, "Shrink-rapt Poetry", in its State of Poetry in America series. He's been featured at readings in Calif., New York, D.C., Texas, Maryland, Florida, Arkansas, New Jersey, North Carolina, Pennsylvania, Ohio, Minnesota, Tennessee, Illinois, Iowa and Virginia. He lives in Reston, Virginia.

Besides books, for 20 years (1984-2004) and 110 issues, Blehert published his own “poetry letter,” called “Deanotations,” just his poems with illustrations by his wife, Pam Coulter, that, at its peak, had about 3000 snail-mail subscribers. 

http://www.blehert.com/poems/deanot.html

In 2001, Blehert began posting approximately a poem a day, emailed to a few thousand people. Many of these short poems can be found here:

http://www.blehert.com/poems/poem-a-day-2001.htm

http://www.blehert.com/poems/poem-a-day-2002.htm

Information about his books is on the website as well:

http://blehert.com/bookstore/books.html

Pam Coulter, "Temple Farm Creek"

Le SonnEt Le Furie


How primly rhymed pentameter sets out
In perfect ranks, plumed hats and gleaming brass,
Marching to thumping drums across trim grass
To put the ragged noisy mob to rout
And...oops - WATCH OUT! Who threw that brick? A shout!
Hold ranks! Duck! Keep in step - but watch your ass!
We'll show this rabble!...Lord, but what a mass
Of life is this! It surges all about
Each syllable - the meter cannot hold!
Now it's breaking, words stumble from the ranks,
bloodied feet fall out of step,
rhyme drowned in the din of revolt
falters falls
                  look there! On either flank
hordes of
          words
                      loose
 
               characters
 

                                  dart an
 
            d leap



FROMPlease, Lord, Make Me a Famous Poet or at Least Less Fat
or Everything You've Always Wanted to Know About Poetry But Were Afraid If You Asked, Someone Would Start Talking About Whatchamajigger Pentameter by Dean Blehert.
 
Uproarious book of poetry about poetry. Takes on all comers, Beowulf through Plath and even the poetry slam. No toes go untrodden. Deft, outrageous parody and satire. "Dean Blehert is a radical innovator in contemporary poetry. He has rediscovered pleasure. His poems are - how contrarian - both fun to read and wonderfully perceptive about the follies of modern life. I hope he represents the cutting edge of poetry for the new millennium. But if not, we can console ourselves by rereading him." Dana Gioia. "What a banquet!! -- a feast of wit, wild and wonderful -- incredibly clever!" Lyn Lifshin
ISBN 1-892261-03-0, 416 pp. , indexed by subject and title, illustrated by Pam Coulter, publ. Words & Pictures East Coast, 1999

Pam Coulter, "Winter Meadow, Reston"

Selected Short Poems about Cats

The cat's rear rises
To meet my stroke...and is gone!
Was I not worthy?


If only this sheet of paper
could attract poems as easily
as it attracts the cat.

Cat on the couch,
Still as any cushion,
Except, hanging from the edge,
The tail, almost still, just the tip
Bends up...unbends...bends...unbends...
On the carpet, watching,
Fascinated,
A cat.

A tiny bit of night
ripples toward me, detaches
at my leg, purring.

Along the sofa,
a sentence of cushions--
for period, this cat.

FROM  No Cats Have Been Maimed or Mutilated During the Making of this Book
But Some of Them Are Disappointed -- Very Disappointed -- in Me
 
Mainstream, Gil Lamont: "Blehert's poems grab me by the scruff of the neck and demand to be read.... It's like eating potato chips, you can't stop at just one. Only the occasional eulogies that brought a lump to my throat made me want to stop for a while, and reflect on cats I've lost over the years.... This is too good a book to keep selfishly. Buy two, one for you, one for your friends, and be grateful that Blehert has so accurately let us look at ourselves too, through our foibles as cats' caregivers and surrogate parents and servants."
ISBN No. 0-9644857-5-3, 80 pp. (Originally published by Words & Pictures Press in 1996)


I Swear He Was Laughing
Poems About Dogs Mostly) Who Only THINK They Are People, But Aren't, So Can't Read This Book, So Will You Please Read It for Them?
 
For anyone who has ever loved or been loved by a dog. Mainstream, Tina Perry: "...a delightful book of poems about everyone's best friends, dogs. The book made me laugh, smile, and it also brought tears to my eyes." "Dogs sweat through their tongues. /I'm being licked on the cheek /by a dog's armpit." "The dog has had enough cuddling /and uncoils off the bed. /I stare at my skin, /watching for any freckles /that move." "Old friend, I hear one of my years is seven of yours. /I'd slow for you if I could."
ISBN No. 0-9644857-4-5, 81 pp. (Originally published by Words & Pictures Press in 1996)

Poems for Adults and Other Children
This is Dean's fourth book of poetry. Most of the poems in this book are taken from the issues of his popular and momular poetry letter, Deanotations. Some of them are funny and may have been intended that way. One, "The Doll's Journey," may be a story for children; scholars still debate whether the children of Blehert's time could have understood it. The other poems, it is widely agreed, are for grown-ups, but only those who don't understand what the scholars are talking about.
ISBN 0-838823-01-9 (Originally published by Pogment Press in Reston in 1988)


Pam Coulter, "Hains Point, Cherry Blossoms"


ABOUT THE ARTIST

Pam COULTER  (d. 2021) painted primarily in oil and acrylics. She had around 400 paintings in private collections and 4 in corporate or government collections. She was a three-time “Best of Show” winner at the Art League of Alexandria monthly juried show at the Torpedo Factory, Alexandria, VA.  Her paintings were featured in the Elan Magazine (April 2009) and  American Artist magazine (Feb. '95) and included in the North Light Book of Acrylic Painting Techniques (By Earl Grenville). She  participated in regional juried shows and had a number of one-person shows. Ms. Coulter participated regularly in juried Art League shows at the Torpedo Factory, Alexandria, where she had an accepted member of the "Bin gallery" for many years, and in Reston Virginia art shows. She taught art locally at various venues. An illustrator and cartoonist as well as oil painter, she worked as a technical writer and computer graphics artist for a local company.