Showing posts with label Mariano Zaro. Show all posts
Showing posts with label Mariano Zaro. Show all posts

Sunday, December 6, 2020

2021 Pushcart Prize Nominations from the "We Are Here: Village Poets Anthology"

                                      


We are pleased to inform you that the editors of "We Are Here: Village Poets Anthology" - Maja Trochimczyk and Marlene Hitt - nominated to the Pushcart Prize 2021 the following poems included in the anthology:  

  • Sharon Alexander, “Wheatfield with Crows” -p.8
  • Katerina Canyon, “Feet” -p. 171
  • Joe DeCenzo, “Conversing with Shadows” p. 181
  • Georgia Jones Davis, “Monumental Dog” – p. 63
  • Rick Lupert, “Heat” – p. 87
  • Mariano Zaro, “Synapse” – p. 157

Given the choice of 80 poets included in the anthology and the incredibly high artistic level of all their creations, the editor decided to follow their hearts and select poems that "resonated" with them in a personal way, and represented the diversity of poems and poets in the volume.  Congratulations to all! 

Marlene Hitt writes about her choices: "No one knows whether a poem is 'good.' The response of the reader is the important judgement. I chose Wheatfield With Crows because, at first, I was reminded, with emotion, of my own father's death. Upon reading I found enjoyment the dreamlike inward journey of the author. Sharon Alexander's language is more than pleasing and her images inspiring. Rick Lupert in Heat brings the reader into his world on a hot, hot day as he exaggerates a bit, then teases and pleases us as with a tall tale. Joe DeCenzo, with Conversing With the Shadows points toward the mystery of one woman' state of frailty in a memoir of her life as it has encapsulized in her failing memory as that memory then failed. It renders a kind and loving tribute to all life as it begins to end.  Poetry is for the poet, yes, but more for the reader and the connection of thought and emotion between the two. A poem speaks to each person with the beauty and passion which only words can do."

Maja Trochimczyk explains her selections: "I was really perplexed about the nominations from our anthology. I know it is a service to poets, and should be done, but in We Are Here there are so many amazing poems by incredibly talented poets that I was at a loss, wondering, what to do? In poetry, I am not interested in competitions and awards, but rather in expressing the infinity of human experience. When Marlene sent me her three titles, I realized I could simply pick poems that I love and that resonate with me at this particular time. I've always loved Georgia Jones Davis's Monumental Dog - the compassion for the hapless animal, sent by her trusted caretaker into the orbit, to certain death; the vivid portrait of a communist country, where life is not valued at all. I'm from Poland and I remember stories about this dog on our national news; though, back then, nobody eulogized her sacrifice. There was just praise for the technological triumph of Soviets over Americans in the space race... Katerina Canyon's Feet is another perennial favorite, perhaps because my Mom had not washed my feet like that, and neither did I wash hers. I guess it was through the longing of an abandoned child that found such intense beauty in filial love and devotion, captured so vividly by Canyon. Finally, Mariano Zaro's Synapse about the poignant last days of his father, expertly weaves personal emotion with scientific descriptions of the mystery of the brain at the end of life." 

Village Poets at the Passing of the Laurels Ceremony in 2017.

ABOUT THE ANTHOLOGY

Edited by Marlene Hitt and Maja Trochimczyk, and entitled We Are Here: Village Poetry Anthology, this collection celebrates the 10th anniversary of Village Poets Monthly Poetry Readings. The volume presents 80 poets featured during the monthly readings at Bolton Hall Museum in Tujunga, CA as well as the group of current and former Poets Laureate of Sunland-Tujunga who organize the readings. 
 
 In addition to its home base at the Bolton Hall Museum, the Village Poets have also had occasional visits to the McGroarty Arts Center, the former home of the California Poet-Laureate in 1933-1944, John Steven McGroarty. His Poet-Laureate title inspired the local Poet-Laureate program, established in 1999. The anthology's editors are both former Poets-Laureate of Sunland-Tujunga: Marlene Hitt was the First, in 1999-2001 and Dr. Maja Trochimczyk served as the Sixth in 2010-2012 when the readings were initiated.  

The volume includes work by: 15 Poets Laureate from California; 20 Pushcart Prize nominees – Accardi, Askew, Byrne, Canyon, Collins, Dobreer, Dove, Ford, Fancher, Luza,  Leland-St. John, O’Brien, Jones, Pero, Reyna, Rinne, Rogers, Rummel, Skiles, and Terzi; 12 current and former college professors – Campbell, Kirby, Dove, Lipkin, Lummis,  Peterson, Rummel, Rizk, Talwar, Trochimczyk, Saine, and Zaro; and eight poets with doctoral degrees – Dove, Lipkin, Mataric, Meyer (honorary), Peterson, Reyna, Saine, and Trochimczyk. Poets from the states of California, Illinois, New York, New Mexico, Texas, and Washington are represented along with those who have roots in 18 different countries: Argentina, Armenia, Chile, China, Cuba, Czech Republic, France, Germany, India, Italy, Japan, Mexico, Poland, Portugal, Serbia, the U.K., the U.S. and Vietnam.    

The colorful cover, designed by Maja Trochimczyk, features artwork by Polish American poet and painter, Andrew Kolo, who appeared at the readings to present both his art and his poetry. The painting, entitled “Landscape with the Palm Tree” (oil on canvas), is a mosaic of vivid, saturated colors, contrasting, yet somehow in harmony with each other. This is a great metaphor for a poetry reading filled with numerous, distinct poetic voices.  

The book consists of two parts: Guests and Featured Poets, represented by 1-3 poems each; and PoetsLaureate, with 10 local poets, represented by 6-8 poems each. A list of Village Poets Readings, a brief history of the program, and biographies of the poets are included as well. The 290-page anthology is published in two versions, as a paperback and an e-book in ePub format.  More information and list of poems: moonrisepress.com/village-poets-anthology.html 
 


ABOUT PUSHCART PRIZE XLV

Edited by Bill Henderson, with the Pushcart Prize Editors, "the 45th edition of the most celebrated literary series in America, Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses. The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.  The current issue includes 70 authors from more than 50 presses, selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses."


SHARON ALEXANDER - Nominated for "Wheatfield with Crows"

SHARON ALEXANDER recently relocated to Benissa Costa, Spain overlooking the Mediterranean Sea. Her chapbook, Instructions in My Absence, won first place in the Palettes & Quills 5th Biennial Chapbook Contest and was released May 2017. Voodoo Trombone, Sharon’s previous chapbook, was published by Finishing Line Press, 2014. Her poetry appears in several publications including Barbaric Yawp; Caliban On-line; Idyllwild Life Magazine; Naugatuck River Review; Pearl; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; Subprimal Poetry Art; and Tiger’s Eye. You can also find her work in the following anthologies: Beyond the Lyric Moment (Tebot Bach, 2014); In the News (The Poetry Box, Summer 2018); Poeming Pigeons (The Poetry Box, 2015); and Spectrum: 140 SoCal Poets ( 2015). 



KATERINA CANYON -  Nominated for "Feet"

KATERINA CANYON is a 2020 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival called “Shouting Coyote Poetry Festival” and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. Her recent books include Changing the Lines, a volume of poetry, and Los Angeles Nomad, a novel.  She hosts weekly readings on Zoom, called Canyon Poets. You can find more information about her on her website, poetickat.com. 


JOE DECENZO -  Nominated for "Conversing with Shadows"

JOE DECENZO grew up in Los Angeles and majored in theater and English Literature.  From 2004-06 he served as the poet laureate of Sunland-Tujunga. He produced  the  “Shouting   Coyote” Performing   Arts Festival and was a Department of Cultural Affairs grant recipient. His published works include The Ballad of Alley and Hawk and the Study Guide and Poetry Primer for the same collection. His poetry appeared also in Meditations on Divine Names anthology (Moonrise Press, 2012). He currently serves on the planning committee for the Village Poets of Sunland-Tujunga, as Chair of the Poet Laureate Search Committee, and as Chair of the Arts and Recreation Committee of the Sunland-Tujunga Neighborhood Council.


GEORGIA JONES DAVIS - Nominated for "Monumental Dog"

GEORGIA JONES-DAVIS grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia’s poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London. She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series. She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), by Finishing Line Press. 


RICK LUPERT - Nominated for "Heat"

RICK LUPERT has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets. He created the Poetry Super Highway ( http://poetrysuperhighway.com ) and hosted the Cobalt Cafe reading for almost 21 years. He’s authored 25 collections of poetry, including “God Wrestler” and “ The Tokyo-Van Nuys Express!”, and edited  “A Poet’s Siddur”, “A Poet’ s Haggadah”, the Noir anthology “ The Night Goes on All Night.” and “Ekphrastia Gone Wild” under his imprint Ain’t Got No Press. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Zuzu’s Petals, Caffeine Magazine, Blue Satellite and others. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books: Sinzibuckwud!, We Put Things In Our Mouths, Paris: It’s The Cheese, I Am My Own Orange County, Mowing Fargo, I’m a Jew. Are You?, Feeding Holy Cats, Stolen Mummies, I’d Like to Bake Your Goods, A Man With No Teeth Serves Us Breakfast (Ain’t Got No Press), Lizard King of the Laundromat, Brendan Constantine is My Kind of Town (Inevitable Press) and Up Liberty’s Skirt (Cassowary Press). . He is regularly featured at venues throughout Southern California and works as a music teacher and graphic designer for anyone who would like to help pay his mortgage.


MARIANO ZARO - Nominated for "Synapse"

MARIANO ZARO is the author of six books of poetry, most recently Decoding Sparrows (What Books Press, Los Angeles, CA) and Padre Tierra (Olifante, Zaragoza, Spain). His poems have been published in anthologies and literary journals in USA, Mexico and Spain. His translations into Spanish include Poemas de las Misiones de California by Philomene Long, Buda en llamas by Tony Barnstone and Cómo escribir una canción de amor by Sholeh Wolpé. He is the winner of the 2004 Roanoke Review Short Fiction Prize and the 2018 Martha’s Vineyard Institute of Creative Writing Short Fiction Prize. Since 2010, he has been hosting a series of video-interviews with prominent American poets as part of the literary project Poetry.LA. (More information here: www.Poetry.LA). He is a professor of Spanish at Rio Hondo Community College (Whittier, California).  Website: www.marianozaro.com. 

Tuesday, January 29, 2013

Mariano Zaro - Featured Poet on February 24, 2013


After a hugely successful and well attended reading by Sunland's Elsa S. Frausto, who read both her own poetry and her translations from Spanish, we will continue our explorations of multicultural poetry in the reading of Spanish-born poet and writer Mariano Zaro. The reading will take place at the Bolton Hall Museum on Commerce Avenue in Tujunga on Sunday, February 24, 2013 at 4:30 p.m. In addition to the reading, there will be an Open Mike segment allowing poets to present their own work. 

Mariano Zaro is the author of four poetry books: Where From/Desde Donde (Bay Books, Santa Monica), Poems of Erosion/Poemas de la erosion (Carayan Press, San Francisco), The House of Mae Rim/La casa de Mae Rim (Carayan Press, San Francisco) and Tres letras/Three Letters (Walrus-Morsa, Barcelona). His poems have been included in the anthologies Al Aire Nuevo (San Luis Potosí, Mexico), New Baroque (Los Angeles), LA Melange (Los Angeles), River’s Voice (Los Angeles), The Seattle Muse (Seattle) and Luces y Sombras (Tafalla, Spain). 

As a fiction writer, his short stories have appeared in several literary journals in Spain and the United States: Menos 15, El signo del gorrión, Caracola, The Louisville Review, Poeticdiversity, The Baltimore Review, Pinyon, Magnapoets and The Portland Review. In 2004 he received the Roanoke Review Short Fiction Prize. He has translated American poets Philomene Long, Alicia Vogl Sáenz, Sarah Maclay, Michelle Mitchell-Foust and Tony Barnstone. He earned a Ph.D. in Linguistics from the University of Granada (Spain) and a Master´s in Literature from the University of Zaragoza (Spain). He conducts poetry workshops and he currently teaches Spanish at Rio Hondo College (Whittier, CA).

PHOTO ALBUM: Village Poets Present Mariano Zaro

____________________________


PLUMS                                                                                     

---Mariano Zaro



My father wraps plums
with newspapers.
I cut the pages in half.
He wraps the plums.
We are in the attic.
It’s summer.
We don’t talk.
He rolls the fruits,
his fingers twist both ends of the paper.
It´s raining outside.
The plums look like wrapped candy.
He is meticulous, not too meticulous, just enough.
The plums have to be without nicks or cuts,
firm, not too ripe, unblemished.
The storms have been coming all afternoon.
That´s why my father is home;
he couldn’t go to the fields.
His hands are so beautiful
I am almost afraid of them.
He ties the plums with a thin string,
like a necklace.
Five plums in each string, exactly five.
I don´t know why.
His hands inspect the fruit, twist the paper,
tie the knots, do the math.
I hide my hands under the newspapers.
He is on a ladder now.
He hangs the strings from a wooden beam in the ceiling.

I pass the strings to him.
One by one.
Sometimes, unintentionally,
my hand brushes his hand.
He leans his body against the ladder,
rests for a moment,
cleans his sweat.
My father is old.
The strings dangle from the ceiling.
Plums in-waiting like dull,
modest Christmas ornaments.                                                     
Fruit for the winter, he says.
As if you could wrap the summer with newspapers.
As if you could wrap your father’s hands
for the future days of hunger.













Tuesday, September 25, 2012

Stephen Linsteadt - Featured Poet on October 28!

After a wonderful and inspirational reading by the incomparable Sharmagne Leland St. John, the Village Poets have another poetic delight planned for October. Painter and poet Stephen Linsteadt and poet Maria Elena B Mahler have been scheduled to read their work and present a new book of poetry inspired by Stephen paintings on Sunday, October 28, 2012, at 4:30 p.m. at the Bolton Hall Museum in Tujunga, California (10110 Commerce Avenue, Tujunga).  Poets who have contributed to the Woman in Metaphor book of painting and poetry are encouraged to come and read their work from the book during the Open Mike segments of the afternoon.

We regret to inform you that due to our scheduling error Maria Elena B Mahler will not be able to appear at this reading, which was initially planned for October 21, 2012. Instead, she will be invited to return at a later date. On October 28, Maria Elena will be with us in spirit and will be represented by a couple of poems read by others.

Stephen Linsteadt is a painter, poet, and writer. He is the co-author of The Heart of Health; the Principles of Physical Health and Vitality. His latest book is titled Scalar Heart Connection. His poetry is published in Moments of the Soul (Spirit First), Solstice, Cradle Songs (Quill & Parchment Press), Saint Julian Press, Poets on Site, and others. His paintings have appeared in Reed Magazine, Badlands Literary Journal, and Birmingham Arts Journal and can be seen at StephenLinsteadt.com. His most recent project is an anthology of poetry based on his paintings, Woman in Metaphor.  A sample poem from the book is reprinted below.

Maria Elena B Mahler’s poetry has been published in English and Spanish in Badlands, Solstice, Quill & Parchment, Global Alchemy, Saint Julian Press and Poets on Site. She was a finalist for the 2011 San Francisco-based Primer Concurso de Poesía Latinoamericana en Español, and is published in the anthology by Colectivo Verso Activo. Recently, her work was also selected for the Spanish anthology Se Buscan Quijotes, published by El Centro de Estudios Poéticos in Madrid, Spain.

Maria Elena also co-authored the non-fiction book The Heart of Health (Truth Publishing Co.) and enjoys writing fiction. She was raised in the South of Chile. After graduating with a degree in Communications, she lived and worked in Mexico and Canada, and finally settled in the Sonoran Desert of Southern California in 2003.

_________________________________________________


Stephen Linsteadt

Saint-Rémy de Provence

A wale of rock jumps out of the land
and freezes above the earth;
the backdrop to “Starry Night”
painted close to where green bathed
the artist’s vision in a yellow
            tainted room.

The scent of Languedoc
still warm about your neck.
           
Thunder uncoils over the night.

Rain on my umbrella
drops of deep mystery. Madness in May
only warm iris blossoms understand.

Their light whispers
and won’t hold still.

You can’t complain that I’m singing
            this is an asylum.

And where are the human beings
who once lived in the olive groves?

We were compelled to keep our distance
            from the chapel.

Pigeons cooed then waited
for the echo to reverberate
off its stained glass walls.


 

_________________________________________

 

Maria Elena B. Mahler

 

 

La Machi       


Nobody knows her name, only the color of her skin.


If I had a photograph of her face
it would be sepia cracked by the storms over Mapuche land.

Her eyes would be dark stones of lava and

her hair flowing rivers of molten core.


Above Alerce forest, pumas draw the circle.
In my dreams I have seen her chewing chamico.

Along Chilean valleys, water runs horizontal
spoiling the virginity of Andean snow, where la Machi
got sweaty under the Araucaria tree.

His mal de ojo broke her spell.

Their passion over the still wet moss was all they had
between them.

The impediment to their holy union wasn’t the raven in her hair
but the bonds of duty as la chamana:
           forbidden to leave the underworld.

Breaking the sacred law meant certain death
so she quietly gave up her fruit:
    first a boy
    then a girl — my grandmother.

_____________________________________




Mariano Zaro


                       
Portrait and Still Life with Art
I got married because I didn’t know how to say no.
                        I did not know I could say no, just like that.
                        You spend your life trying not to hurt people.
                        Maybe it was shame.

                        They say shame is premature exposure.

                        They say shame is the seed of all self-destruction.

                        We got married, it was the thing to do.
The next day
I knew I had made a mistake.
It was too late.

And when you talk to people about it—
well, I did not talk about it with many people,
just this old woman from the warehouse,
they tell you that is normal, that you feel strange
when you get married, in the beginning.

I wanted to talk to people about it
but everybody was too busy,
we were all busy trying to survive.

This happened when everything was there for me to have.

She stops talking, looks at the toast.

I don’t blame anybody.
Don’t blame myself.
Now I look back and it’s all there.
I don’t want to make it nice.
I don’t like sweet, I already have told you.
I know it’s all there. I can breathe.

She picks up tiny crumbs,
presses the tablecloth with the tip of her ring finger.
We leave the hotel.

I can hear the sound of her shoes—
the sound she liked so much
at seventeen.
I can hear the sound of her shoes on the floor.

_______________________

Photos from the Reading:

https://picasaweb.google.com/100602334921816625334/VillagePoetsStephenLinsteadt