Showing posts with label Georgia Jones-Davis. Show all posts
Showing posts with label Georgia Jones-Davis. Show all posts

Sunday, December 6, 2020

2021 Pushcart Prize Nominations from the "We Are Here: Village Poets Anthology"

                                      


We are pleased to inform you that the editors of "We Are Here: Village Poets Anthology" - Maja Trochimczyk and Marlene Hitt - nominated to the Pushcart Prize 2021 the following poems included in the anthology:  

  • Sharon Alexander, “Wheatfield with Crows” -p.8
  • Katerina Canyon, “Feet” -p. 171
  • Joe DeCenzo, “Conversing with Shadows” p. 181
  • Georgia Jones Davis, “Monumental Dog” – p. 63
  • Rick Lupert, “Heat” – p. 87
  • Mariano Zaro, “Synapse” – p. 157

Given the choice of 80 poets included in the anthology and the incredibly high artistic level of all their creations, the editor decided to follow their hearts and select poems that "resonated" with them in a personal way, and represented the diversity of poems and poets in the volume.  Congratulations to all! 

Marlene Hitt writes about her choices: "No one knows whether a poem is 'good.' The response of the reader is the important judgement. I chose Wheatfield With Crows because, at first, I was reminded, with emotion, of my own father's death. Upon reading I found enjoyment the dreamlike inward journey of the author. Sharon Alexander's language is more than pleasing and her images inspiring. Rick Lupert in Heat brings the reader into his world on a hot, hot day as he exaggerates a bit, then teases and pleases us as with a tall tale. Joe DeCenzo, with Conversing With the Shadows points toward the mystery of one woman' state of frailty in a memoir of her life as it has encapsulized in her failing memory as that memory then failed. It renders a kind and loving tribute to all life as it begins to end.  Poetry is for the poet, yes, but more for the reader and the connection of thought and emotion between the two. A poem speaks to each person with the beauty and passion which only words can do."

Maja Trochimczyk explains her selections: "I was really perplexed about the nominations from our anthology. I know it is a service to poets, and should be done, but in We Are Here there are so many amazing poems by incredibly talented poets that I was at a loss, wondering, what to do? In poetry, I am not interested in competitions and awards, but rather in expressing the infinity of human experience. When Marlene sent me her three titles, I realized I could simply pick poems that I love and that resonate with me at this particular time. I've always loved Georgia Jones Davis's Monumental Dog - the compassion for the hapless animal, sent by her trusted caretaker into the orbit, to certain death; the vivid portrait of a communist country, where life is not valued at all. I'm from Poland and I remember stories about this dog on our national news; though, back then, nobody eulogized her sacrifice. There was just praise for the technological triumph of Soviets over Americans in the space race... Katerina Canyon's Feet is another perennial favorite, perhaps because my Mom had not washed my feet like that, and neither did I wash hers. I guess it was through the longing of an abandoned child that found such intense beauty in filial love and devotion, captured so vividly by Canyon. Finally, Mariano Zaro's Synapse about the poignant last days of his father, expertly weaves personal emotion with scientific descriptions of the mystery of the brain at the end of life." 

Village Poets at the Passing of the Laurels Ceremony in 2017.

ABOUT THE ANTHOLOGY

Edited by Marlene Hitt and Maja Trochimczyk, and entitled We Are Here: Village Poetry Anthology, this collection celebrates the 10th anniversary of Village Poets Monthly Poetry Readings. The volume presents 80 poets featured during the monthly readings at Bolton Hall Museum in Tujunga, CA as well as the group of current and former Poets Laureate of Sunland-Tujunga who organize the readings. 
 
 In addition to its home base at the Bolton Hall Museum, the Village Poets have also had occasional visits to the McGroarty Arts Center, the former home of the California Poet-Laureate in 1933-1944, John Steven McGroarty. His Poet-Laureate title inspired the local Poet-Laureate program, established in 1999. The anthology's editors are both former Poets-Laureate of Sunland-Tujunga: Marlene Hitt was the First, in 1999-2001 and Dr. Maja Trochimczyk served as the Sixth in 2010-2012 when the readings were initiated.  

The volume includes work by: 15 Poets Laureate from California; 20 Pushcart Prize nominees – Accardi, Askew, Byrne, Canyon, Collins, Dobreer, Dove, Ford, Fancher, Luza,  Leland-St. John, O’Brien, Jones, Pero, Reyna, Rinne, Rogers, Rummel, Skiles, and Terzi; 12 current and former college professors – Campbell, Kirby, Dove, Lipkin, Lummis,  Peterson, Rummel, Rizk, Talwar, Trochimczyk, Saine, and Zaro; and eight poets with doctoral degrees – Dove, Lipkin, Mataric, Meyer (honorary), Peterson, Reyna, Saine, and Trochimczyk. Poets from the states of California, Illinois, New York, New Mexico, Texas, and Washington are represented along with those who have roots in 18 different countries: Argentina, Armenia, Chile, China, Cuba, Czech Republic, France, Germany, India, Italy, Japan, Mexico, Poland, Portugal, Serbia, the U.K., the U.S. and Vietnam.    

The colorful cover, designed by Maja Trochimczyk, features artwork by Polish American poet and painter, Andrew Kolo, who appeared at the readings to present both his art and his poetry. The painting, entitled “Landscape with the Palm Tree” (oil on canvas), is a mosaic of vivid, saturated colors, contrasting, yet somehow in harmony with each other. This is a great metaphor for a poetry reading filled with numerous, distinct poetic voices.  

The book consists of two parts: Guests and Featured Poets, represented by 1-3 poems each; and PoetsLaureate, with 10 local poets, represented by 6-8 poems each. A list of Village Poets Readings, a brief history of the program, and biographies of the poets are included as well. The 290-page anthology is published in two versions, as a paperback and an e-book in ePub format.  More information and list of poems: moonrisepress.com/village-poets-anthology.html 
 


ABOUT PUSHCART PRIZE XLV

Edited by Bill Henderson, with the Pushcart Prize Editors, "the 45th edition of the most celebrated literary series in America, Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses. The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.  The current issue includes 70 authors from more than 50 presses, selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses."


SHARON ALEXANDER - Nominated for "Wheatfield with Crows"

SHARON ALEXANDER recently relocated to Benissa Costa, Spain overlooking the Mediterranean Sea. Her chapbook, Instructions in My Absence, won first place in the Palettes & Quills 5th Biennial Chapbook Contest and was released May 2017. Voodoo Trombone, Sharon’s previous chapbook, was published by Finishing Line Press, 2014. Her poetry appears in several publications including Barbaric Yawp; Caliban On-line; Idyllwild Life Magazine; Naugatuck River Review; Pearl; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; Subprimal Poetry Art; and Tiger’s Eye. You can also find her work in the following anthologies: Beyond the Lyric Moment (Tebot Bach, 2014); In the News (The Poetry Box, Summer 2018); Poeming Pigeons (The Poetry Box, 2015); and Spectrum: 140 SoCal Poets ( 2015). 



KATERINA CANYON -  Nominated for "Feet"

KATERINA CANYON is a 2020 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival called “Shouting Coyote Poetry Festival” and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. Her recent books include Changing the Lines, a volume of poetry, and Los Angeles Nomad, a novel.  She hosts weekly readings on Zoom, called Canyon Poets. You can find more information about her on her website, poetickat.com. 


JOE DECENZO -  Nominated for "Conversing with Shadows"

JOE DECENZO grew up in Los Angeles and majored in theater and English Literature.  From 2004-06 he served as the poet laureate of Sunland-Tujunga. He produced  the  “Shouting   Coyote” Performing   Arts Festival and was a Department of Cultural Affairs grant recipient. His published works include The Ballad of Alley and Hawk and the Study Guide and Poetry Primer for the same collection. His poetry appeared also in Meditations on Divine Names anthology (Moonrise Press, 2012). He currently serves on the planning committee for the Village Poets of Sunland-Tujunga, as Chair of the Poet Laureate Search Committee, and as Chair of the Arts and Recreation Committee of the Sunland-Tujunga Neighborhood Council.


GEORGIA JONES DAVIS - Nominated for "Monumental Dog"

GEORGIA JONES-DAVIS grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia’s poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London. She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series. She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), by Finishing Line Press. 


RICK LUPERT - Nominated for "Heat"

RICK LUPERT has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets. He created the Poetry Super Highway ( http://poetrysuperhighway.com ) and hosted the Cobalt Cafe reading for almost 21 years. He’s authored 25 collections of poetry, including “God Wrestler” and “ The Tokyo-Van Nuys Express!”, and edited  “A Poet’s Siddur”, “A Poet’ s Haggadah”, the Noir anthology “ The Night Goes on All Night.” and “Ekphrastia Gone Wild” under his imprint Ain’t Got No Press. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Zuzu’s Petals, Caffeine Magazine, Blue Satellite and others. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books: Sinzibuckwud!, We Put Things In Our Mouths, Paris: It’s The Cheese, I Am My Own Orange County, Mowing Fargo, I’m a Jew. Are You?, Feeding Holy Cats, Stolen Mummies, I’d Like to Bake Your Goods, A Man With No Teeth Serves Us Breakfast (Ain’t Got No Press), Lizard King of the Laundromat, Brendan Constantine is My Kind of Town (Inevitable Press) and Up Liberty’s Skirt (Cassowary Press). . He is regularly featured at venues throughout Southern California and works as a music teacher and graphic designer for anyone who would like to help pay his mortgage.


MARIANO ZARO - Nominated for "Synapse"

MARIANO ZARO is the author of six books of poetry, most recently Decoding Sparrows (What Books Press, Los Angeles, CA) and Padre Tierra (Olifante, Zaragoza, Spain). His poems have been published in anthologies and literary journals in USA, Mexico and Spain. His translations into Spanish include Poemas de las Misiones de California by Philomene Long, Buda en llamas by Tony Barnstone and Cómo escribir una canción de amor by Sholeh Wolpé. He is the winner of the 2004 Roanoke Review Short Fiction Prize and the 2018 Martha’s Vineyard Institute of Creative Writing Short Fiction Prize. Since 2010, he has been hosting a series of video-interviews with prominent American poets as part of the literary project Poetry.LA. (More information here: www.Poetry.LA). He is a professor of Spanish at Rio Hondo Community College (Whittier, California).  Website: www.marianozaro.com. 

Tuesday, March 1, 2016

Georgia Jones Davis Presents Her "Night School" on March 20, 2016

Village Poets are happy to present Georgia Jones-Davis as the featured poet in the Women's Month, March 2016, reading from her recent chapbook, Night School (Finishing Line Press, 2015).  The reading will take place on Sunday, March 20, 2016, at 4:30 p.m. at Bolton Hall Museum in Tujunga (10110 Commerce Avenue, Tujunga, CA 91042).

In addition to the fascinating feature, the reading will include two segments of open mike; refreshments will be served and $3 donations collected for the cost of the venue, one of the earliest historical landmarks in the City of Los Angeles.


Georgia Jones-Davis grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia's poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London.

She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series.  She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), both published by Finishing Line Press.


MONUMENTAL DOG

Where is the dog the Soviets
shot into space in 1957?
Where is Laika tonight?
Her bones could be sailing overhead,
a satellite of the cold war
stuck in the traffic of the commuting sky.
Experts now content
she died of overheating
within hours of launch
because her R-J sustainer failed
to separate from the payload.
Laila died,
the rest of us believe,
an orbiting, kenneled cosmonaut,
a terrified dog star,
night and day chasing past her,
the moon escaping fast as a cat.
She howled, I am the only dog
circling the campfire of the world,
lonesome as a wolf
in the prehistoric shadows.
On the sixth day
her breath evaporated;
she starved and froze in her capsule
as the human sounds she recalled--
"Moya malishka, moya Laylika" --
receded in her ears
with the memory of meat
and Kremlin bells only a dog can hear.
Laila was mailed into space,
a letter never answered,
a missal to the gods of the future.
To please him she submitted
to her handler's velvet-voiced commands,
the same voice that whispered her name.
She thrilled to the clammy, cushiony hands
that stroked her fur
even as they strapped her in.



AFTER THE STORM

Last night ended at the water's edge,
on an unbroken boardwalk,
above a lapping, tranquil ocean.
I followed a trail down the mountain
until there was nothing but blackberries,
nothing but their alluring darkness
between me and the sea.

There was no turning back.
I was going to live in a new house,
a secretive house
that stood beside my own,
a house with a view of the bay.
The house with shutters was painted
brilliantly as a parrot,
orange and apricot and jade.

The people who lived there,
a widow with a young son,
were going away to somewhere
tropical and foreign.
Those who move out of a house
and those who move in
never quite become friends,

even if they have lived side by side
for as many years as it takes
to never get to know each other,
and the rickety fence that separates
their gardens
has fallen down in the wind.

Westside Women Writers at the Norton Simon Museum, with Georgia Jones-Davis up front.


Thursday, July 30, 2015

Westside Women Writers Go Eastside: McGroarty Arts Center, Tujunga, August 23, 2015

Village Poets of Sunland Tujunga will present the poetry by Westside Women Writers at the McGroarty Art Center in Tujunga, on Sunday, August 23, 2015, at 4:30 p.m. The reading will feature five poets (Millicent Borges Accardi, Lois P. Jones, Susan Rogers, Kathi Stafford, Sonya Sabanac, and Maja Trochimczyk) and will include two segments of open mike and refreshments.  The Center is located at  7570 McGroarty Terrace, Tujunga, CA 91042, between McGroarty St. and Plainview Ave. (take Plainview exit off Foothill Blvd.), (818) 352-5285, mcgroartyartscenter.org. The regular readings at the Bolton Hall will resume in September. 

Westside Women Writers, L to R. Maja Trochimczyk, Susan Rogers, 
Lois P. Jones, Georgia Jonese Davis, Sonya Sabanac, Madeleine Butcher and 
Millicent Borges Accardi, at the Norton Simon Museum, Pasadena, 2014.

Westside Women Writers - WWW Writers Group is a small group of women writers working together to support each other with strong attention to craft, to grow as writers and as people in community. Founded by Millicent Borges Accardi in January 2009, WWW includes eight members: Millicent Borges Accardi, Madeleine Butcher, Lois P. Jones, Georgia Jones-Davis, Susan Rogers, Kathi Stafford, Sonya Sabanac, and Maja Trochimczyk. The group's anthology will be published in 2016 by Moonrise Press. 


MILLICENT BORGES ACCARDI

Millicent Borges Accardi

Millicent Borges Accardi has received fellowships from the NEA, the California Arts Council, the Barbara Deming Foundation, Canto Mundo, along with residencies at Jentel, Yaddo, Vermont Studio, Fundación Valparaíso in Spain, Milkwood in the Czech Republic and Disquiet in Portugal. Her books include Woman on a Shaky Bridge (chapbook), Injuring Eternity and Only More So (forthcoming with Salmon Press, Ireland).  Accardi’s poetry has appeared in over 50 publications, including Nimrod, Tampa Review, New Letters and Wallace Stevens Journal as well as in Boomer Girls (Iowa Press) and Chopin with Cherries (Moonrise Press) anthologies.  Her theater and book reviews can be found in print and online at The Topanga Messenger. She received degrees in English and writing from California State University Long Beach and holds a Masters in Professional Writing degree from the University of Southern California. She works as a freelance writer (theater reviews, grant writing and instructional design); this type of work leaves her with time to create and travel to poetry residences around the world.  She lives in Topanga and telecommutes as a technical writer and theater reviewer. http://www.MillicentBorgesAccardi.com


Cover art by Charles Accardi

Mourning Doves

Have such soulful
Eyes, their gray suit
Of feathers blurs and sinks
Them into the background
Like a creature in hiding.
They hover below the wild
Bird feeder set up for the finches
And harvest the shells, the thistle
Seed casings and what drops after
The finches and faux robins and phoebes 
Have feasted. The mourning
Doves huddle and nest in the mountains
Of seed shells and dirt and make circles
With their small bird bodies turning
Into the ground digging a place around
Them as if they were under a shrub with only
The black drops of ink from their tail feathers
Visible. In a group, they lie in wait, their dear gray
Eyes gloomy and sullen and innocent and they want
What the world desires, to be fed and comfortable
And consummated and happy.

(c) 2010 by Millicent Borges Accardi



LOIS P. JONES

Lois P. Jones by Alexis Francher.

Lois P. Jones has work published or forthcoming in Cultural Weekly and Pirene's Fountain, as well as several anthologies including The Poet’s Quest for God (Eyewear Publishing), Wide Awake:  Poetry of Los Angeles and Beyond (The Pacific Coast Poetry Series) edited by Suzanne Lummis, 30 Days (Tupelo Press) and Good-Bye Mexico (Texas Review Press).  Some publications include Narrative, American Poetry Journal, Tupelo Quarterly, The Warwick Review, Tiferet, Cider Press Review and other journals in the U.S. and abroad. Lois’s poems have won honors under judges Kwame Dawes, Fiona Sampson, Ruth Ellen Kocher and others. New Yorker staff writer, Dana Goodyear selected “Ouija” as Poem of the Year in the 2010 competition sponsored by Web del Sol. She is the winner of the 2012 Tiferet Poetry Prize and the 2012 Liakoura Prize and a multiple Pushcart nominee.  Her poem was long-listed in the 2015 National Poetry Competition organized by The Poetry Society.  Lois is Poetry Editor of Kyoto Journal, host of KPFK’s Poets Café (Pacifica Radio), co-host of Moonday Poetry, and an interviewer for American Micro Reviews and Interviews. See: moondaypoetry.com/lois-p-jones.html

Cherry Rainbow in Descanso Gardens by Lois P. Jones

Reading “Shadowlands” to a Friend At The Sepulveda Dam 


by Lois P. Jones


            Did my eyes avoid yours, Brother?
            ~ Johannes Bobrowski, German lyric poet and soldier


Mustard grass to our hips – sallow as Gauguin’s
Yellow Christ, it blows its seed, mixing

with the must of mule fat and sage. When the wind
is this strong, I remember the year branches twisted

from their trunks onto my path toward Terezin.
They were everywhere, needling the numbered graves.

I think of how anonymity makes war possible.
Otherwise you couldn’t look your brother in the eye –

become one of Bobrowski’s slavering wolves,
an SS who drove the Jews toward

the wild smell in the woods and the old house
running down to the water. And you know

what’s coming. Listening as if you are a part
of the descent – the river and its copper-

colored trail – the blood wall where nothing
is wet only driven in like nails. It tastes of rust

in our mouths, of shadowlands and a boot
in the snow and even in this dry heat

your cheeks are damp. You know what a home
looks like because you came from a land

of sheepherders and milk cows, where ovens
were meant to keep a back warm in winter

and wagons bore the day’s wheat.
What can we carry away but a chance

to remember how a man is a lantern
lowered into the earth.


Previously published in Tupelo Quarterly


SUSAN ROGERS


Susan Rogers considers poetry a vehicle for light and a tool for the exchange of positive energy. She is a licensed attorney, photographer and a practitioner of Sukyo Mahikari—a spiritual practice that promotes positive thoughts, words and action.  Susan has featured at Cypress College, The Phoenix House, the Moonday Poetry Reading Series, as well as other venues. Her poetry has been performed at museums and galleries in Southern California and was included as part of the award winning audio tour for the Pacific Asia Museum. Her work can be found in Chopin and Cherries, Meditations on Divine Names, A Blackbird Sings, Woman in Metaphor as well as numerous journals, anthologies and chapbooks including The Best Poems of San Diego 2011-2012 and 2012-2013 editions, Poets on Site booklets, Ribbons, Badlands, Phantom Seed, several Southern California Haiku anthologies and the 2015 Altadena Poetry Review. Her reflections on poetry were published in an essay on the national site Women’s Voices for Change. In 2012, she was a finalist in the Tiferet Poetry Competition. Her poem, “The Origin is One” was performed at the televised 2013 Akigami Ice Festival in Gifu, Japan. She was nominated for a Pushcart prize in 2013. Her work has appeared online in Kyoto Journal, Pirene’s Fountain, Tiferet as well as other online publications. Her poems are currently featured online at Saint Julian’s Press. She has been interviewed by Lois P. Jones for KPFK’s Poet’s Café. This interview is archived at www.timothy-green.org/blog/susan-rogers/.

Searching  (The Dove) - by Susan Dobay

The Origin Is One
for Kotama Okada

The dove knows the way
follow her.

Your heart knows the way
listen well.

Within your deepest self
are wings of light.

They cover the earth 
with waves of love.

Do you remember?
You once knew.

Stand in the warmth
of sunlight and recall.

The origin of the world
is one. 

The origin of religions
is one.

The origin of all
humankind is one.

Circle back.
Imagine the great will

of all things
stirring in your fingers.

Reach out your arms
and open your palms

to the sky.
It is time.


The Light that Finds

Within the miniature apple is the full-grown fruit;
within the pine cone is the giant pine.
Within your outstretched hand is your reaching love;
within our heart of prayer is god's design.
Within the symphony is a golden flute;
within your eyes is the light that finds.
Within the tree is the sap and root;

within your image are my singing lines.

Published in Meditations on Divine Names (Moonrise Press, 2012)                              

KATHI STAFFORD
     

Kathi Stafford's poetry, book reviews, and interviews have been published in numerous literary journals (Chiron Review, Nerve Cowboy, Hard Row to Hoe, and so forth) and anthologies (Chopin with Cherries, anthologies by Poets on Site, and other volumes). She was the poetry editor and senior editor at Southern California Review for many years. Her forthcoming book, Blank Check, is scheduled to be published in the fall of 2015. 

Kathi Stafford at a Poetry reading from "Awakenings" - Beyond Baroque.
With Alice Pero, Just Kibbe, Susan Rogers and Maja Trochimczyk


Division                                 

by Kathi Stafford

We used to hold
hands near the bower. Now, we lean together,
quiet, and that is enough.

Evening came fast—too dark to look
for avocados any more.  The sprawling
tree filled the yard, its branches large
and smoky brown.  A tangy scent
floats at dusk as honeysuckle
trims along the fence.

Perhaps my cells split
sideways as I sat on the bench
in the silence.  I asked him to pick the
fruit, but the hour was late. A woman light
on her path keeps moving anyway.


SONYA SABANAC


Sonya Sabanac was born and raised in Sarajevo, Bosnia and Herzegovina- Former Yugoslavia. She left her home town in 1992 due to the civil war and spent two refugee years in Denmark.  Growing up with poetry never did she imagine that one day poetry would disappear from her horizon.  Immigrating into USA in 1994, she was “silent” for more than a decade. Finding her way back to poetry was also finding a way back to her own self.  
Sonya is a poet and a photographer, with a particular interest in landscapes and wildlife. Her memoir “How Did I decide to Go a Little Crazy” was published in the Anthology about immigrant women “Shifting Balance Sheets.” 



Egret on the Beach, 2014 Photo by Sonya Sabanac

A Letter to My Ancestor

I was always curious about you,
but I  don’t even know your name,
I can only count
three generations back.

To learn about you, 
I imagine myself
where you were. 

Banat of Temeswar,
The Habsburgs’ Military Frontier
and ever changing 19th Century,
where one could fall asleep in
one country and wake up in another. 

How much of a good fruit
had fallen into your lap?
Your hands always nursing,
the land or the babies, 
must have wanted 
to fly away sometimes. 

Did you lay in the grass 
and travel with the clouds
when the lust for going far
would fill your heart?

And what did you do 
when darkness fell 
upon your world?

Frozen winter nights, 
vagabond soldiers
appearing out of nowhere,
my brave ancestor mother,
you secured a passage
for me to come. 

Distance of time
is between us,
but I feel you are not far.
Come into my dream and
tell me what I want 
to know most of all: 
what is yours that I carry on?

© Sonya Sabanac
April 26, 2014

MAJA TROCHIMCZYK

Maja Trochimczyk at Bolton Hall Museum, July 2012.

Maja Trochimczyk, PhD, is a Polish-born poet, music historian, photographer, and non-profit director. A former Poet Laureate of Sunland Tujunga she works with Village Poets on selecting poets to feature monthly. She wrote/edited six books on music (including Frederic Chopin: A Research and Information Guide, Routledge, 2015), and published five volumes of poetry - Rose Always (2011), Miriam’s Iris (2008) , Slicing the Bread (2014), and anthologies Chopin with Cherries (2010) and Meditations on Divine Names (2012). She serves as Communications Director and Board Secretary of the Polish American Historical Association, and is an author of hundreds of articles, book reviews and poems published in Poland, Canada, U.K., U.S., France, Germany, Sweden, Serbia, and China. As President of Moonrise Press, she is also a publisher of books on poetry, music and Polish culture. She received fellowships from the American Council of Learned Societies, Social Sciences and Humanities Research Council of Canada, and honors from the Polish government (medal for the promoton of Polish culture), PAHA, and local communities (ST Poet Laureate in 2010-2014). Visit  www.trochimczyk.net, and www.moonrisepress.com, or Maja's blogs: Poetry Laurels and Chopin with Cherries.


Slicing the Bread with Trochimczyk's cover design based on her photos

The Summer of Love

She would never be as beautiful again as she had been
that summer in Germany. Blue eyes shining 
from under the tightly-tied kerchief,  
blond curls, shorn short for work.
They planted potatoes side by side in the fields.
He was tall, kind, athletic, son of the Bauer.
She blushed a pretty shade of pink
when she caught his eye.

It was their first love, they were so shy
led side by side, with jeering cardboard signs,
noisy blasts of trombones. A feast for the whole village.
Kids ran in circles around them, laughing –
The Polish Pig. The Traitor of our Race.
Bronia and Hans. People poked them,
pushed them, shaved their heads. 
Identical, grotesque, bald puppets,
each with a single lock left hanging 
in the middle of the forehead.

She was sent to Auschwitz.
He – to the eastern front.
It was their last summer. 

(c) 2014 by Maja Trochimczyk Published in Slicing the Bread (Finishing Line Press, 2014).

Clouds and Leaves in Wilanow, Poland, July 2015. Photo by Maja Trochimczyk

__________________________________

The two members of the WWW Group that are travelling and will not appear at this reading are Georgia Jones-Davis and Madeline Butcher. 

GEORGIA JONES-DAVIS

        
Georgia Jones-Davis’s first collection of poems, Blue Poodle (Finishing Line Press), was published in 2011 and the second, Night School (also by Finishing Line Press) appeared in 2015. She grew up in Northern New Mexico and Southern California. It was as a student studying English at UCLA that Georgia first wrote and published poetry. She set poetry aside when she went into the news business for more than twenty years. Georgia worked as a literary reporter, sub-editor, book review editor and book reviewer. She was one of the founding editors of the Herald Examiner Book Review and an Assistant Book Editor at the Los Angeles Times Book Review for 14 years. Her critical essays have appeared in many publications including The Washington Post, New York Newsday, The Chicago Tribune and Salon.

After leaving the newspaper world, “Poetry,” Georgia says, “came back to me like a long, lost, muddy dog.” Her work has appeared in various publications including West Wind, The Bicycle Review, California Quarterly, Sam Hamill’s website, Poets Against War, Brevities, Nebo, South Bank Poetry, London, Ascent Aspirations, a Canadian journal, and Eclipse.  She also contributed to the Chopin with Cherries anthology. Georgia was honored as one of the Newer Poets 2010 by the Los Angeles Poetry Festival/Beyond Baroque and the Los Angeles County ALOUD Series. She is a former board member of Valley Contemporary Poets, a Los Angeles non-profit, and founder of the Poetry Group at the Grancell Village Jewish Home for the Aging. Georgia Jones-Davis is a member of PEN, California State Poetry Society and the Academy of American Poets.

Maja Trochimczyk, Georgia Jones-Davis and Lisa Cheby 
present their new books at Beyond Baroque, Spring 2015.

Chopin’s Sorrow

by Georgia Jones-Davis


Sorrow I love
more than any woman

So do not run your fingers
along my skin
countess
touch me
with white gloves
or I will break
like a minor chord

Polish, French, man, woman
I speak none of these languages
only that of rain and moonlight

Sex will kill me
with its gabardine trousers
cigars and gaudy novels
slashed ribbon of arguments
must of unmade beds

The other night
in the Salle Pleyel
the moon
her full face composed
edged close to the windows
to listen

I kiss her holy white dust
I press my lips to the purity
of her bloodless devotion

Published in  Chopin with Cherries (Moonrise Press, 2010)


MADELEINE S. BUTCHER


Madeleine S. Butcher has been writing since 1979.  An actress at that time, she wrote monologues, scenes and plays, later transitioning to short stories, guided by Merrill Joan Gerber.  Poetry was always cropping up on its own, from time to time. She is a graduate of NYU with a BFA in dance.  Besides her dance and acting, she has worked as an assistant picture and sound editor on feature films, She has taught ballet to small children, at risk teenagers and taught Pilates out of her home studio in Woodland Hills for ten years. Madeleine has been a member of Westside Women Writers for nearly three years.  Her first piece is due to be published in the West Marin Journal this year. She and her husband are retired and traveling.

How Do I Know Thee, John Lee?

He lies blinking in the dark,
his eight year old self listening to the crickets
to the creak of his bed,
to his parents' voices on the other side
of the slatted wall
and he hears his papa say -
he's got the boogie woogie in him
and it's got to come out -
yes he does, says his mama, 
yes he does.

His hands reach into the dark
he spreads his fingers -

the night lifts the ceiling off,
he sees plowed fields fall away,
a path into shining woods he's never seen -
he lies so still he hears his heart
beat his moving blood in the midnight darkness.

His heart so old and young,
looks back from the night
and he knows he has more
than that share-croppers cabin

can hold in all the world. 

(c) by Madeleine S. Butcher



Photo by Maja Trochimczyk with a Druid blessing