Showing posts with label Sharon Alexander. Show all posts
Showing posts with label Sharon Alexander. Show all posts

Sunday, December 6, 2020

2021 Pushcart Prize Nominations from the "We Are Here: Village Poets Anthology"

                                      


We are pleased to inform you that the editors of "We Are Here: Village Poets Anthology" - Maja Trochimczyk and Marlene Hitt - nominated to the Pushcart Prize 2021 the following poems included in the anthology:  

  • Sharon Alexander, “Wheatfield with Crows” -p.8
  • Katerina Canyon, “Feet” -p. 171
  • Joe DeCenzo, “Conversing with Shadows” p. 181
  • Georgia Jones Davis, “Monumental Dog” – p. 63
  • Rick Lupert, “Heat” – p. 87
  • Mariano Zaro, “Synapse” – p. 157

Given the choice of 80 poets included in the anthology and the incredibly high artistic level of all their creations, the editor decided to follow their hearts and select poems that "resonated" with them in a personal way, and represented the diversity of poems and poets in the volume.  Congratulations to all! 

Marlene Hitt writes about her choices: "No one knows whether a poem is 'good.' The response of the reader is the important judgement. I chose Wheatfield With Crows because, at first, I was reminded, with emotion, of my own father's death. Upon reading I found enjoyment the dreamlike inward journey of the author. Sharon Alexander's language is more than pleasing and her images inspiring. Rick Lupert in Heat brings the reader into his world on a hot, hot day as he exaggerates a bit, then teases and pleases us as with a tall tale. Joe DeCenzo, with Conversing With the Shadows points toward the mystery of one woman' state of frailty in a memoir of her life as it has encapsulized in her failing memory as that memory then failed. It renders a kind and loving tribute to all life as it begins to end.  Poetry is for the poet, yes, but more for the reader and the connection of thought and emotion between the two. A poem speaks to each person with the beauty and passion which only words can do."

Maja Trochimczyk explains her selections: "I was really perplexed about the nominations from our anthology. I know it is a service to poets, and should be done, but in We Are Here there are so many amazing poems by incredibly talented poets that I was at a loss, wondering, what to do? In poetry, I am not interested in competitions and awards, but rather in expressing the infinity of human experience. When Marlene sent me her three titles, I realized I could simply pick poems that I love and that resonate with me at this particular time. I've always loved Georgia Jones Davis's Monumental Dog - the compassion for the hapless animal, sent by her trusted caretaker into the orbit, to certain death; the vivid portrait of a communist country, where life is not valued at all. I'm from Poland and I remember stories about this dog on our national news; though, back then, nobody eulogized her sacrifice. There was just praise for the technological triumph of Soviets over Americans in the space race... Katerina Canyon's Feet is another perennial favorite, perhaps because my Mom had not washed my feet like that, and neither did I wash hers. I guess it was through the longing of an abandoned child that found such intense beauty in filial love and devotion, captured so vividly by Canyon. Finally, Mariano Zaro's Synapse about the poignant last days of his father, expertly weaves personal emotion with scientific descriptions of the mystery of the brain at the end of life." 

Village Poets at the Passing of the Laurels Ceremony in 2017.

ABOUT THE ANTHOLOGY

Edited by Marlene Hitt and Maja Trochimczyk, and entitled We Are Here: Village Poetry Anthology, this collection celebrates the 10th anniversary of Village Poets Monthly Poetry Readings. The volume presents 80 poets featured during the monthly readings at Bolton Hall Museum in Tujunga, CA as well as the group of current and former Poets Laureate of Sunland-Tujunga who organize the readings. 
 
 In addition to its home base at the Bolton Hall Museum, the Village Poets have also had occasional visits to the McGroarty Arts Center, the former home of the California Poet-Laureate in 1933-1944, John Steven McGroarty. His Poet-Laureate title inspired the local Poet-Laureate program, established in 1999. The anthology's editors are both former Poets-Laureate of Sunland-Tujunga: Marlene Hitt was the First, in 1999-2001 and Dr. Maja Trochimczyk served as the Sixth in 2010-2012 when the readings were initiated.  

The volume includes work by: 15 Poets Laureate from California; 20 Pushcart Prize nominees – Accardi, Askew, Byrne, Canyon, Collins, Dobreer, Dove, Ford, Fancher, Luza,  Leland-St. John, O’Brien, Jones, Pero, Reyna, Rinne, Rogers, Rummel, Skiles, and Terzi; 12 current and former college professors – Campbell, Kirby, Dove, Lipkin, Lummis,  Peterson, Rummel, Rizk, Talwar, Trochimczyk, Saine, and Zaro; and eight poets with doctoral degrees – Dove, Lipkin, Mataric, Meyer (honorary), Peterson, Reyna, Saine, and Trochimczyk. Poets from the states of California, Illinois, New York, New Mexico, Texas, and Washington are represented along with those who have roots in 18 different countries: Argentina, Armenia, Chile, China, Cuba, Czech Republic, France, Germany, India, Italy, Japan, Mexico, Poland, Portugal, Serbia, the U.K., the U.S. and Vietnam.    

The colorful cover, designed by Maja Trochimczyk, features artwork by Polish American poet and painter, Andrew Kolo, who appeared at the readings to present both his art and his poetry. The painting, entitled “Landscape with the Palm Tree” (oil on canvas), is a mosaic of vivid, saturated colors, contrasting, yet somehow in harmony with each other. This is a great metaphor for a poetry reading filled with numerous, distinct poetic voices.  

The book consists of two parts: Guests and Featured Poets, represented by 1-3 poems each; and PoetsLaureate, with 10 local poets, represented by 6-8 poems each. A list of Village Poets Readings, a brief history of the program, and biographies of the poets are included as well. The 290-page anthology is published in two versions, as a paperback and an e-book in ePub format.  More information and list of poems: moonrisepress.com/village-poets-anthology.html 
 


ABOUT PUSHCART PRIZE XLV

Edited by Bill Henderson, with the Pushcart Prize Editors, "the 45th edition of the most celebrated literary series in America, Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses. The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.  The current issue includes 70 authors from more than 50 presses, selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses."


SHARON ALEXANDER - Nominated for "Wheatfield with Crows"

SHARON ALEXANDER recently relocated to Benissa Costa, Spain overlooking the Mediterranean Sea. Her chapbook, Instructions in My Absence, won first place in the Palettes & Quills 5th Biennial Chapbook Contest and was released May 2017. Voodoo Trombone, Sharon’s previous chapbook, was published by Finishing Line Press, 2014. Her poetry appears in several publications including Barbaric Yawp; Caliban On-line; Idyllwild Life Magazine; Naugatuck River Review; Pearl; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; Subprimal Poetry Art; and Tiger’s Eye. You can also find her work in the following anthologies: Beyond the Lyric Moment (Tebot Bach, 2014); In the News (The Poetry Box, Summer 2018); Poeming Pigeons (The Poetry Box, 2015); and Spectrum: 140 SoCal Poets ( 2015). 



KATERINA CANYON -  Nominated for "Feet"

KATERINA CANYON is a 2020 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival called “Shouting Coyote Poetry Festival” and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. Her recent books include Changing the Lines, a volume of poetry, and Los Angeles Nomad, a novel.  She hosts weekly readings on Zoom, called Canyon Poets. You can find more information about her on her website, poetickat.com. 


JOE DECENZO -  Nominated for "Conversing with Shadows"

JOE DECENZO grew up in Los Angeles and majored in theater and English Literature.  From 2004-06 he served as the poet laureate of Sunland-Tujunga. He produced  the  “Shouting   Coyote” Performing   Arts Festival and was a Department of Cultural Affairs grant recipient. His published works include The Ballad of Alley and Hawk and the Study Guide and Poetry Primer for the same collection. His poetry appeared also in Meditations on Divine Names anthology (Moonrise Press, 2012). He currently serves on the planning committee for the Village Poets of Sunland-Tujunga, as Chair of the Poet Laureate Search Committee, and as Chair of the Arts and Recreation Committee of the Sunland-Tujunga Neighborhood Council.


GEORGIA JONES DAVIS - Nominated for "Monumental Dog"

GEORGIA JONES-DAVIS grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia’s poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London. She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series. She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), by Finishing Line Press. 


RICK LUPERT - Nominated for "Heat"

RICK LUPERT has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets. He created the Poetry Super Highway ( http://poetrysuperhighway.com ) and hosted the Cobalt Cafe reading for almost 21 years. He’s authored 25 collections of poetry, including “God Wrestler” and “ The Tokyo-Van Nuys Express!”, and edited  “A Poet’s Siddur”, “A Poet’ s Haggadah”, the Noir anthology “ The Night Goes on All Night.” and “Ekphrastia Gone Wild” under his imprint Ain’t Got No Press. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Zuzu’s Petals, Caffeine Magazine, Blue Satellite and others. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books: Sinzibuckwud!, We Put Things In Our Mouths, Paris: It’s The Cheese, I Am My Own Orange County, Mowing Fargo, I’m a Jew. Are You?, Feeding Holy Cats, Stolen Mummies, I’d Like to Bake Your Goods, A Man With No Teeth Serves Us Breakfast (Ain’t Got No Press), Lizard King of the Laundromat, Brendan Constantine is My Kind of Town (Inevitable Press) and Up Liberty’s Skirt (Cassowary Press). . He is regularly featured at venues throughout Southern California and works as a music teacher and graphic designer for anyone who would like to help pay his mortgage.


MARIANO ZARO - Nominated for "Synapse"

MARIANO ZARO is the author of six books of poetry, most recently Decoding Sparrows (What Books Press, Los Angeles, CA) and Padre Tierra (Olifante, Zaragoza, Spain). His poems have been published in anthologies and literary journals in USA, Mexico and Spain. His translations into Spanish include Poemas de las Misiones de California by Philomene Long, Buda en llamas by Tony Barnstone and Cómo escribir una canción de amor by Sholeh Wolpé. He is the winner of the 2004 Roanoke Review Short Fiction Prize and the 2018 Martha’s Vineyard Institute of Creative Writing Short Fiction Prize. Since 2010, he has been hosting a series of video-interviews with prominent American poets as part of the literary project Poetry.LA. (More information here: www.Poetry.LA). He is a professor of Spanish at Rio Hondo Community College (Whittier, California).  Website: www.marianozaro.com. 

Friday, September 29, 2017

Village Poets Present Mary Torregrossa and Sharon Alexander on October 22, 2017


How time flies - it is the fall already! Leaves are turning red and yellow, at least those plastic ones on decorations for Halloween and Thanksgiving in the One Dollar store... Time for travel, time for time-travel, time for adventure of imagination. On Sunday, October 22, 2017 at the Bolton Hall Museum in Tujunga, Village Poets will present poets Mary Torregrossa and Sharon Alexander. The reading will start at 4:30 p.m. at  10110 Commerce Ave, Tujunga, CA 91042, and will include two segments of open mike for guest poets (the average of two poems per person). Refreshments will be served during the intermission.  The George Harris Hat will be passed around for $3.00 suggested donation per person to cover the cost of the venue and refreshments. A group photo of featured poets and guests will be taken at the end, to commemorate the literary gathering.


MARY TORREGROSSA

Mary Torregrossa’s poems appear in “Bearing The Mask: Southwestern Persona Poems”, in “Wide Awake:Poets of Los Angeles and Beyond,” and “Voices From Leimert Park Redux,”, poets of the World Stage in Los Angeles. Her chapbook, “My Zocalo Heart,” a collection of portrait and persona poems is forthcoming from Finishing Line Press.

Mary explains, “I am a story-listener. It comes as part of my job as an Adult School ESL teacher in the Los Angeles area. I have to "listen twice” - as the Quakers say. So in my subsequent story-telling I have created a gallery of portrait poems along with a tapestry of longer narrative poems."

Mary's poems are rich in detail like gems kept in a music box.

THE PROMISE OF SNOW

~ for Jenny Butler

Banished to the cloakroom
for talking in class.
“Be still’” I was told,
as my eyes became adjusted
to the dimness of long 
and narrow room,
coats hung in happenstance
on shiny black hooks
with fat rounded tips
curving upwards in prayer.

The door closed
on the silence within.
Sitting on a low step stool,
hot cheeks in bony hands,
my elbows made dimples
in my knees.

The gray light of the afternoon
floated in from thick panes 
of a window behind me.
And yet it did not light
the farthest corner of the room
where a tall, metal cabinet
held paper, pencils and
heavy textbooks neatly stacked,
I knew, behind locked doors.

I turned away from the
shadows lurking there
and stood on tiptoe
looking out on bare branches
and the winter sky 
that promised snow.

My chin perched 
on crossed arms
I gazed toward the red
brick tower and its ledges
of stone, where the big
bells rang every Sunday – 
where brave starling lit
to look about – 

and I see the city
spread far and wide – 
avast hilly landscape
of two-story houses and
chimneys and evergreens
set among the bristling silhouettes
of gray barren trees.

My talons scratch against
the granite ledge,
my body lifts, drifting
through the sky, the soft sound
of wings pumping,
rushing now towards
thecold horizon
and the rocky shore
of silver green waters below.


(C) by Mary Torregrossa




SHARON ALEXANDER

Born and raised in New York, Sharon Alexander now lives in Southern California. She divides her time between her cabin at 6000 feet in the mountain town of Idyllwild and in La Quinta at the foot of the beautiful Santa Rosa Mountains.

Her prize-winning book, INSTRUCTIONS IN MY ABSENCE, won the 5th Biennial Chapbook Contest from Palettes & Quills, released May 2017.

VOODOO TROMBONE, Sharon's previous chapbook, was published by Finishing Line Press, 2014. 

You can find her poems in numerous journals including Caliban On-line; Naugatuck River Review; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; and Subprimal Poetry Art.

Her poetry also appears in several anthologies including Beyond the Lyric Moment (Tebot Bach, 2014); Poeming Pigeons (The Poetry Box, 2015); Spectrum: 140 SoCal Poets (Don Kingfisher Campbell, 2015) and Woman in Metaphor (NHH Press, 2013).

Link to the Instructions in My Absence book:




WHEATFIELD WITH CROWS 

The night my father dies, I search for him
in the painting over his bed. 
Crows clutter the sky,
wings rattle my windows — the horizon crooked as a broken bone.

Lost in the wheat fields, I find Van Gogh
painting the countryside yellow and blue, he sings 
aloud to drown the ringing in his ears.

Blackbirds bow in silence, 
clacking crows hold their tongues. Van Gogh daubs the heavens
thick and thicker to obscure the uproar of red

poppies crowding him while the wheeling sky shouts to be heard.
Somewhere my father hears dust storms blow across the moon—
sunflowers choke the sky.


(c) by Sharon Alexander



PHOTOS FROM THE READING BY CECE PERI AND AMBIKA TALWAR

Ambika Talwar with Cece Peri.

Cece Peri reads. 


Ambika Talwar reads.

Ambika Talwar


Village Poets with guests. Seated L to R: Pam Shea, Cece Peri, Ambika Talwar, Alice Pero, guest, Dorothy Skiles. Standing L to R: Marlene Hitt, Guest, Bo Kyung Kim, Mary Torregrossa, Joe DeCenzo, Beverly Collins, Peter Larsen, Susan Rogers, Lois P Jones, Maja Trochimczyk, Sharon Hawley.

Village Poets, L to R: Maja Trochimczyk, Dorothy Skiles, 
Pamela Shea, Marlene Hitt and Joe DeCenzo.

Cece Peri, Ambika Talwar with Kathabela and Rick Wilson and friends. 

Beverly Collins, Joe DeCenzo and Peter Larsen listen to featured poets. 

Cece Peri and Spiritual Quartet: Ambika Talwar, Lois P. Jones, 
Maja Trochimczyk and Susan Rogers.

The Spiritual Quartet with peacock feathers.






Tuesday, July 7, 2015

Thelma T.Reyna and Beverly M. Collins - Featured Poets on July 26, 2015

After the incredible success of the reading by Sharon Alexander on June 28 and preceding an equally successful (as we hope) reading by Westside Women Writers on August 23 at McGroarty Arts Center (with Lois P. Jones, Millicent Borges Accardi, Susan Rogers, and Kathi Stafford),  the Village Poets enjoyed the participation in the Fourth of July Parade in Sunland Tujunga (see the Picasa Web Album here).

L to R: Gianni, Maja Trochimczyk, Marlene Hitt, Dorothy Skiles, Elsa S. Frausto and Joe DeCenzo.

Inspired by these celebrations, the Village Poets are proud to present Thelma T. Reyna and Beverly Collins as our Featured Poets on Sunday, July 26, at 4:30 p.m.

In addition to the two features, the format of our readings includes two sections of Open Mike, refreshments in the middle, and a great companionship of creative minds in a wonderful environment of the Bolton Hall Museum in Tujunga, 10110 Commerce Avenue, Tujunga, CA 91041.


Thelma T. Reyna

Thelma T. Reyna is author of The Heavens Weep for Us and Other Stories (2009), winner of four national awards. Her two poetry chapbooks—Hearts in Common (2013) and Breath & Bone (2011)—were semi-finalists in a national poetry chapbook competition. Her most recent book is Rising, Falling, All of Us (2014), and she served as the editor of the 2015 Altadena Poetry Review. 

Her stories, poems, essays, articles, book reviews, and other nonfiction have appeared in journals, textbooks, anthologies, blogs, and regional media. She writes two blogs and has been a guest blogger on three others.

In April 2014, Reyna was named Poet Laureate of the Altadena (CA) Library District, a position she will hold for two years. She was also awarded a Most Inspirational Award for her accomplishments as an author and businesswoman by her State District Legislators in 2011. Reyna is an editor and writing consultant with her business, The Writing Pros (www.TheWritingPros.com) and holds a Ph.D. from UCLA.

OLD HABITS 

by Thelma T. Reyna

How easy it is to forget
how old habits in the brain trick us,
trick us,
into thinking you’re at my door,
or here in the kitchen by my side, sipping
at the mug, sighing at the early hour,
calling my name, your
mouth at my ear.
How easy, how easy.
The brain wipes away years, tears,
contorts memory to slave shadows of
itself, clipping connections to calendars
and seasons, children growing into
future mists we veil over when
we’re tricked. I hear footsteps,
jingling keys, the gentle click
of a door unlocked, water lapping
at your washbowl, gentle, curling,
steaming stream gurgling, and
you humming as you shave your neck.
How easy it is
to hear these precious sounds again,
these tiny tunes of love, familiarity,
tricking death and me with
double shots of cruelty: warmth
swathing me at the reliving, the
unguarded glow from being tricked, then
stabs of recollection, of seeing you
lowered in the ground, mounds of
flowers sliding back into the dirt.  


Beverly M. Collins

Beverly M. Collins is fourth in a family of five daughters. Although born in Milford, Delaware, Bev is a Jersey-girl to the bone. She is also a graduate of Taylor Business Institute, a great admirer of Art who carries a deep appreciation and respect for other Artist.

As a singer, Collins is a former national finalist for Talent America. As a poet, she is one of three 2012 prize winners for the California State Poetry Society whose works appear in a growing number of publications. She is the author of Quiet Observations and of Mud in Magic (Moonrise Press, 2015).

At home with her younger family members, she is Auntie Bev. The one who loves to cook, laugh and watch movies, enjoys amusement parks and the peacefulness of a long walk. She loves the sound of great guitar solos and times spent in complete silence where thoughts reign ...



ABOUT "MUD IN MAGIC"

Beverly M. Collins' poetry is much like her: Courageous, wise and imaginative. It is a thunder clap in the middle of Manhattan, a bolt of lightning on a desert island off of Spain. But in the end, it is its power, rhythm and clarity that make it rise to the level of art. Miss it at your own risk.
~ Radomir Vojtech Luza
Poet Laureate of North Hollywood
Pushcart Prize Nominee

Beverly M. Collins writes poetry that is a celebration of woman. She takes everyday experiences however varied and transforms them into a serene acceptance which is emotionally extremely fulfilling. Beverly M. Collins' (her) poems are gems of rare understanding.
~ Mary A. Mann
Author, www.maryanneetamann.com

Beverly M. Collins’s Mud in Magic is her second poetry book, filled with wisdom of experience, wisdom that has grown from a life well lived. Beverly’s skillful and often aphoristic or narrative poems portray a scene or a character that we could encounter on our streets, in our cafes. In these poems, styled as messages and postcards from the Thought Bistro (Part I) and Elixir Café (Part III), there is light and love – the latter, in its many reincarnations, from the affectionate to wistful, to, again, humorous – is also the subject of the central part of the book, Tinder Flames. In vain you would search here for empty fireworks of verbal displays. The beauty and wonder of daily life fills the pages andwill delight the readers.
~ Maja Trochimczyk, Ph.D.
President, Moonrise Press






MUD IN MAGIC

It is to spend time on a funky junction,
overlook the “how” and become
“I don’t know.” It is to wear an early-bird
coat with full feathers when the entire
event is late. It is to find that one has tricked
the trickster, turned the tables on the
bait-and-switcher...and got a free ticket.

It is to take life too serious. Put the squeeze
on what is not right-for-you, feel it sting
the palm of your hand like a bumble bee
on the blind side of an apple...but win the bushel.

Mud in magic can be welcome, as “loud”
at the library, “quiet” at an amusement park,
fun as a root canal one day before the feast.
It can murk up the view of a clear day then dry
quickly. It is the oment a way with words does
not win one a way with other things wanted.

It is to select a fall-from-grace, show that taste
buds are dull or absent from the mouth altogether.
It is to be drunk on foolishness, shame one’s way
up the side of the nearest mountain, then watch
the seeds evolve into practical moves.

Proof in the face, some stumble and win the race
one  foot behind the other; however triumphant 
or tragic. The low-down on high-life appears
that dry desert has hidden moisture
and there are obvious bits of mud in magic.


 _________________



Tuesday, June 2, 2015

Village Poets Welcome Sharon Alexander, Featured Poet on June 28, 2015


We are pleased to announce that California poet Sharon Alexander will feature at the upcoming Monthly Reading Series,  at Bolton Hall Museum 10110 Commerce Ave., Tujunga, CA 91042.  

Poets are welcome to sign-up for the open reading upon arrival.  Light refreshments will be served – a $3.00 donation is appreciated! 




SHARON ALEXANDER - BIOGRAPHY

Born and raised in New York, Sharon Alexander now lives in Southern California. She divides her time between the mountains in Idyllwild and in the desert at the foot of the beautiful Santa Rosa Mountains east of Palm Springs.

Finishing Line Press released Sharon’s first collection of poetry, VOODOO TROMBONE, in 2014. Her work has appeared in various journals including Redheaded Stepchild, Slipstream, Pearl, Crate, Tiger’s Eye and Pinyon. In addition, her poetry in included in the following anthologies: Beyond the Lyric Moment; Woman in Metaphor; and The Poetry Box Anthology: Poeming Pigeons.

Sharon’s website can be found at: sharonalexanderpoetry.com



JADE RIVER


Before I became young again, I loaded my pockets with stones.
My legs tangled in fishing wire, I waded into the Jade River,
ignored familiar voices that urged me not to go.

There is no persuading the wave
not to break, the widow not to weep. 
And so the Jade River had no mercy.

Once, I was a washerwoman. Hands
of rough bark, my back a crooked tree, kneeling
on cold rock, pounding linens to white.

I danced to banjos and guitars, tapping my feet
on dusty floors.  All I hear now is the slap
of sheet on stone.

Once, I was wed in white, led to the marriage chamber,
left in darkness alone.  When the morning sun lit our bed,
my husband was gone. 

And later the red sheet hung in plain sight. 
And later I went down to the Jade River
to scrub away my shame.

I return this last time to my place beside the river, hold many lives
in my hands. At the widest point where the current runs swift,
I release all I was to white water, empty my pockets of stones.

On mornings like this, the river shines with a strange
green light as though all the stones beneath the water
          were aglow.


by Sharon Alexander



BLOOD SEASON


my body
a ticking wire                    
anchored to the belly
of the world     

all the circuits sing

all the blood tides rip
and every pulse
an hour gone
every breath
a year in flight


my hair was dark and long
I walked with lovers in sin and grace
my voice a river
carving time

and for a minute
I believed
the star-strewn sky
blinked at me

and for an hour
I believed the blood season
was eternity

my body a torch
a flaming arrow
madly singing
to the river’s insistent tide


Los Angeles Poet Laureate Luis Rodriguez in Tujunga 


Luis J. Rodriguez gave a reading at Tujunga Branch of Los Angeles Public Library and the Village Poets welcomed him on May 23, 2015: Dorothy Skiles, Marlene Hitt, Joe DeCenzo, and Maja Trochimczyk. Elsa Frausto who organized the reading could not attend but was present through her poems.